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Janáček’s and Freud’s Vienna: the Fight for Recognition of Two Great Contemporaries / Јаначеков и Фројдов Беч: два велика савременика у борби за признање
(Belgrade : Institute of Musicology, Serbian Academy of Sciences and Arts, 2015)
The common denominator in the careers of two contemporaries and great men,
citizens of Austria-Hungary – Leoš Janáček and Sigmund Freud – was that, in spite
of their status as outsiders, they managed to achieve well-deserved ...
Arhai's Balkan Folktronica: Serbian Ethno Music Reimagined for British Market / Balkan folktronica бенда Архаи: српска етно музика преосмишљена за британско тржиште
(Belgrade : Institute of Musicology, Serbian Academy of Sciences and Arts, 2014)
This article focuses on Serbian composer Jovana Backović and her band/project
Arhai, founded in Belgrade in 1998. The central argument is that Arhai made a
transition from being regarded a part of the Serbian ethno ...
Serbian cultural and singing treasure of Upper Banat / Srpsko kulturno i pevačko nasleđe Gornjeg Banata u Rumuniji
(Muzički talas, 2003)
Turbulent historical events and a very complex cultural and social situation had brought to the fact that, in the course of many centuries, autochthonous singing practice of Serbs in the Romanian Upper Banat adopted many ...
Певање уз гусле и музичка индустрија: гусларска извођења на првим грамофонским плочамa (1908−1931/2) / Singing Wiht Gusle Accompaniment and the Music Industry: The First Gramophone Records of Gusle Players' Performances (1908−1931/2)
(Београд : Музиколошки институт Српске академије наука и уметности, 2016)
Полазећи од корпуса грамофонских плоча на 78 обртаја у минути са снимцима гусларских извођења, које су настале у периоду између краја прве (1908)
и почетка четврте деценије двадесетог века (1931/32), ауторке указују на ...
Srđan Teparić, Resemantization of Tonality in the First Half of the 20th Century (1917–1945), Belgrade, Faculty of Music, 2020.
(Belgrade : Department of Musicology, Faculty of Music, 2020)
What does the Humming Avatar Remember? Composer's Voice and Memory in Ana Gnjatović's Phonations
(Belgrade : Department of Musicology, Faculty of Music, 2018)
Written as a twofold dissertation on Ph.D. studies of composition at the Faculty of Music in Belgrade, which consists of the piece and the autopoetic text, Ana Gnjatović's Phonations for voice and electronics (2016), raises, ...
Ideologies and Discourses: Extreme Narratives in Extreme Metal Music
(Belgrade : Faculty of Media and Communications, Singidunum University, 2016)
Historically speaking, metal music has always been about provoking a
strong reaction. Depending on the characteristics of different sub-genres, one can focus on the
sound, technique, visual appearance, and furthermore, ...
Festival srpskog podzemlja: muzička scena „u malom“
(Београд : Филозофски факултет - Одељење за етнологију и антропологију, 2018)
Festival srpskog podzemlja je manifestacija posvećena „ekstremnim“ muzičkim žanrovima (metal, hardkor, pank i njihovi podžanrovi) koja se u poslednjih nekoliko godina održava u Beogradu. U ovom radu nastojaću da ...
Reality on the Screen: The Subject of the Dystopian Future/ Present. Thoughts on episode “Fifteen Million Merits” of Black Mirror
(Belgrade : Faculty of Media and Communications, Singidunum University, 2018)
Currently one of the most controversial and intriguing science fiction series on television, Black Mirror (Channel 4, Zeppotron, 2011–present) gained worldwide popularity through dealing with the issues of technologically-driven ...
Process in the aesthetical and theoretical thought of Karlheinz Stockhausen
(Sarajevo : INSAM Institute for Contemporary Artistic Music, 2018)
Process is the key aspect of Karlheinz Stockhausen’s (1928–2007) musical discourse. In this paper, I aim to present the composer’s understanding of the word process and mark the place that this word has in the aesthetical ...