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Now showing items 61-70 of 145

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Ideology of the Opera Diva in the Case of the Opera of the National Theatre in Belgrade 

Spasić, Vanja (Beograd : Univerzitet Singidunum (Fakultet za medije i komunikacije)Belgrade : Faculty of Media and Communications, Singidunum University, 2016)
The theme of this work refers to the study of opera’s diva system or the way in which an opera diva can affect (or not) the development of repertory theater. The idea is that through a variety of approaches – musicology, ...
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Даворин Јенко и Стеван Ст. Мокрањац. Биографски фрагменти. Прилог култури сећања / Davorin Jenko and Stevan St. Mokranjac. Biographical Fragments. A Contribution to Cultural Rememberance 

Томашевић, Катарина (Београд : Музиколошки институт Српске академије наука и уметности, 2014)
Рад је писан као прилог обележавању стогодишњице од смрти двојице значајних композитора и диригената – Даворина Јенка (1835–1914) и Стевана Ст. Мокрањца (1856–1914). Конципиран у неколико фрагмената, рад преиспитује ...
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The reception of west European music in Belgrade between world wars: On the examples of 'Muzički glasnik' and 'Muzika' magazines / Recepcija zapadnoevropske muzike u međuratnom Beogradu - primer časopisa Muzički glasnik i Muzika 

Vasić, Aleksandar N. (Музикологија / Musicology, 2011)
The very first music magazines started in Belgrade between World Wars were 'Muzički glasnik' (issued monthly from January to December 1922) and 'Muzika' (also issued monthly in the period January 1928 - March 1929). These ...
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The Collage-Shaped Worlds of Gustav Mahler's Rückert Symphonies 

Bralović, Miloš (Belgrade : Department of Musicology, Faculty of Music, 2014)
The main goal of this paper was to reveal the very beginnings of collage technique in Western art. Musical materials taking place in the scherzo movements of Gustav Mahler’s Fifth, Sixth and Seventh Symphony are arranged ...
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Parenting the Piano: Miroslav Miša Savić's St. Lazarus Waltz 

Medić, Ivana (Belgrade : Department of Musicology, Faculty of Music, 2017)
This article deals with a work by a contemporary Serbian composer Miroslav Miša Savić (b. 1954): St. Lazarus Waltz for one or two grand pianos, with or without children’s toy pianos. Since St. Lazarus is ...
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Byzantine Church Music Between tradition and Innovation 

Peno, Vesna; Peno, Zdravko (Finland : The International Society for Orthodox Church Music, 2018)
There is hardly any relevant musicological and theological literature regarding the content and meaning of terms such as canon and Holy Tradition, on the one hand, and creativity and innovation in connection with ecclesiastical ...
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America is another world: Conversation with composer Nataša Bogojević / Amerika je drugi svet - razgovor sa kompozitorkom Natašom Bogojević 

Medić, Ivana (Muzički talas, 2015)
In this conversation, in an extensive and interesting manner, Nataša Bogojević describes contemporary music scene in America, especially in Chicago, where she lives and works. In the first part of the conversation the ...
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The Stockhausen Composition and Interpretation Courses 

Medić, Ivana (Belgrade : Department of Musicology, Faculty of Music, 2005)
This article deals with Karlheinz Stockhausen’s Summer Courses, which take place annually in a German town Kürten, near Cologne. Last year (between July 31 and August 9) the courses in composition and interpretation ...
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Летњи курс из композиције и интерпретације Карлхајнца Штокхаузена 

Медић, Ивана (Belgrade : Department of Musicology, Faculty of Music, 2005)
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Competitions as a form of public gusle playing performance / Takmičenja kao oblik javne guslarske prakse 

Lajić-Mihajlović, Danka (Музикологија / Musicology, 2011)
This paper offers an ethnomusicological perspective on competitions of guslars (players of a single-stringed musical instrument gusle predominantly used to accompany the voice of a singer reciting epic poetry), here ...
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