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Alfred Schnittke’s Concerto Grosso No. 1. By Peter J. Schmelz. Pp. xiii þ 162. Oxford Keynotes. (Oxford University Press, New York and Oxford, 2019. »10.99. ISBN 978-0-19-065372-9.)
[1]
Alienation, escapism and a search for spiritual grounding: Yugoslav youth’s turning away from the dominant social values and ‘legitimate culture’
[1]
All-Slavic Idea Within the Association of Musicians of the Kingdom of SCS/Yugoslavia in the 1920s: Initiatives, Activities, Results
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Allies in Music: French Influences and Role Models in the Cvijeta Zuzorić Association of Friends of Arts
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America is another world: Conversation with composer Nataša Bogojević
[1]
Amerika je drugi svet - razgovor sa kompozitorkom Natašom Bogojević
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An Apple on the Moon: Karlheinz Stockhausen's "Telemusik"
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An Extrovert and a Misanthrope: Comparative Analysis of Virtuoso Aspects and the Impact of Personalities in Franz Liszt’s Piano Concerto No. 1 in E-flat Major and Alkan’s Concerto for Piano Solo
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An Innovative and Authentic Artist: Vladan Radovanović
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An unintended dialogue between 'materialists' and 'idealists': The essays on west European art music in the 'Zvuk' magazine (1932-1936)
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Ana Hofman: Staging socialist femininity: Gender politics and folklore performance in Serbia, Brill, Leiden - Boston, 2011
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Ana Petrov, Rethinking Rationalisation: Evolutionism and Imperialism in Max Weber's Discourse on Music. Vienna, Hollitzer Verlag, 2016
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Analiza ritma policijske krajine: obljuba ekološkega preobrata v praksi študija zvočnih krajin
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Analytical and Cross-Cultural Studies in World Music, Michael Tenzer, John Roeder (ур), Oxford University Press, 2011, стp. Х+461
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Ancient Greek Mythology Mediated by Latin Culture: on Vlastimir Trajković's Arion and Zephyrus Returns
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Annual concerts of cultural-artistic associations in Serbia : the clash of two different Concepts of professionalization
[1]
Annulling the Trauma: Neoclassicism as a Modernist (?) Antidote to Society’s Ills
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Anri Lefevr
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Apple on the Moon: Karlheinz Stockhausen’s Telemusik
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Application of Ljubinković's concept of "cultural environment" on ethnomusicological research in the region of central Serbia
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