Now showing items 340-359 of 657

      Takmičenja kao oblik javne guslarske prakse [1]
      Tchaikovsky's Estetics of Operatic Genre in Relation to the Estetics of The Five and Vagner [1]
      The "Serbian" Sung Word. A Contribution to Demystification of the Term Folk in the Phrase Serbian Folk Church Singing [1]
      The 'Guslar': Individual identity and tradition [1]
      The 'Stevan Mokranjac' award for 2005 Dejan Despić: Diptych for English horn and string instruments [1]
      The 13th KoMA festival - Young Authors' Concerts [1]
      The Appearance of Concept Albums in Yugoslav Popular Music: Kamen na kamen - Long Play Records [1]
      The Balkans as the Core of European Civilization? Kosta P. Manojlović’s collaboration with the Balkanski institut [Institute for Balkan Studies] in Belgrade (1934–1941) [1]
      The Balkans of the Balkans: The Meaning of Autobalkanism in Regional Popular Music [1]
      The Beginning and the end of the Golden Period of Opera of the National Theatre in Belgrade [1]
      The Beginnings of Serbian Music Historiography: Serbian Music Periodicals Between the World Wars [1]
      The Best of : umetnička muzika u PGP-u [1]
      The Birth of the Serbian National Music Project Under the Influence of Diplomacy [1]
      The challenge of soundscape studies: Towards postmusicology [1]
      The Coexistence of Older and Newer Two-Part Folk Singing in the Village of Prekonoga (Southeastern Serbia) as an Example of Bimusicality [1]
      The Collage-Shaped Worlds of Gustav Mahler's Rückert Symphonies [1]
      The Communication and Analogies between Music and Image: Dragutin Gostuški’s Theory of the Screen [1]
      The compositional output of Predrag Milošević in the context of the tendencies of Art Music in the Kingdom of Yugoslavia [1]
      The Correspondence of Kornelije Stanković – Research Review of the Letters from the Serbian Archive [1]
      The creation of folk music program on Radio Belgrade before World War Two: Editorial policies and performing ensembles [1]