Now showing items 144-163 of 385

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      O multikulturalnom i interkulturalnom pristupu u tumačenju pojačke tradicije pravoslavnih naroda na Balkanu - slučaj 'Grčke' i 'zapadnoevropske' škole u vizantološkoj muzikologiji [1]
      O napevu u pravoslavnom crkvenom pojanju - prilog tipologiji crkvenih napeva [1]
      Od stenografske do analitičke neumske notacije na primeru Stihirara Germana, episkopa Nove Patre [1]
      On the multicultural and intercultural approach to interpreting singing traditions of orthodox peoples in the Balkans: The case of 'Greek' and 'Western European' school in Byzantine musicology [1]
      On the orthodox church melos: A contribution to the typology of church chant [1]
      On the Trace of Unnoted Church Melodies From the Time of Turkocraty [1]
      On тhe Chanting Space аnd Hymns That Were Sung In It. Searching for Chanting-Architectural Connections in the Middle Ages [1]
      Opera Simonida by Stanojlo Rajičić as a Synthesis of Composer's Creative Strivings [1]
      Organisation of musical parameters in Josip Slavenski's Third String Quartet [1]
      Overlapping Paradigms: Exploring the Notion of Performance from Viewpoints of Musicology and Performance Studies [1]
      Parenting the Piano: Miroslav Miša Savić's St. Lazarus Waltz [1]
      Past Music, Future Music: Technology and Music Institutions in the 20th Century [1]
      Politics in the context of the "opera question" in the National theatre before the First World War [1]
      Popularisation of classical music on the programmes of Radio Belgrade and the records released by PGP RTS [1]
      Preserving the Framing Verse „Оj, ubava, ubava devojko!“ („Oh, you Beautiful Girl“) in the Folklore Singing Praxis of the Svrljig Surroundings [1]
      Problem nacionalnog stila u napisima Miloja Milojevića [1]
      Problem of the 'national style' in the writing of Miloje Milojević [1]
      Process in the aesthetical and theoretical thought of Karlheinz Stockhausen [1]
      Project ‘Digitization and Catalogization of Phonoarchive of the Institute of Musicology SASA’: Experiences and Perspectives [1]
      Reality on the Screen: The Subject of the Dystopian Future/ Present. Thoughts on episode “Fifteen Million Merits” of Black Mirror [1]