Now showing items 36-55 of 457

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      Back to the Future: Popular Music and Time (18th Biennial IASPM Conference in Campinas, 2015) [1]
      Balkan Ekspres miks Zorana Simjanovića - status pesme između arhivske i originalne muzike za film [1]
      Balkan folktronica бенда Архаи: српска етно музика преосмишљена за британско тржиште [1]
      Belgrade String Quartet as a Confirmation of Mokranjac's Affinities for the Chamber Music [1]
      Between East and West: Dragutin Gostuški’s musicological work [1]
      Between Romanticism and Impressionism: Suton ('The Twilight') by Stevan Hristić [1]
      Beyond the Crisis of Avant-Garde in Music: Potentials of the Welsch’s Concept of Transculturality in Musicological Studies [1]
      Beyond the Crisis of the Avant-garde in Music: The Potentials of Wolfgang Welsch's Concept of Transculturality in Musicological Studies [1]
      Birds as an Inspiration: La Bouscarle by Olivier Messiaen [2]
      Book review: Peter Tschmuck, The Economics of Music, Newcastle upon Tyne: Agenda Publishing, 2017 [1]
      Caractéristiques des œuvres pour piano d’Ivan Jevtić [1]
      Carnal encounters and producing socialist Yugoslavia: voluntary youth labour actions on the newsreel screen [1]
      Castor et Pollux by Jean-Philippe Rameau in the light of diferences between the two versions of the opera (1737, 1754) [1]
      Children’s Rhythmical System in Songs of Serbian Vocal Heritage [1]
      Christian Troelsgård: Byzantine Neumes, a New Introduction to the Middle Byzantine Musical Notation Subsidia, vol. IX, Monumenta Musicae Byzantinae, Copenhagen: Museum Tusculanum Press 2011 [1]
      Church Music in the Light of National Legislation in the Principality of Serbia and the Kingdom of Serbia [1]
      Collection of the Photographs in the Archive of The Institute of Musicology SASA [1]
      Common scale features of the recent Greek and Serbian church chant traditions [1]
      Communication and analogies between music and image: Dragutin Gostuški's theory of screen [1]
      Communion songs not regulated by the typicon in the recent tradition of Serbian church singing [1]