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Between autonomy of music and the composer’s autonomy. Notes on modernisms and traditionalisms in Slovenian music of the 20th century / Između autonomije muzike i autonomije kompozitora. Beleške o modernizmima i tradicionalizmima u slovenačkoj muzici XX veka
(Музикологија / Musicology, 2006)
The aim of this article is to examine the relations between the old and the new in the context of 20th-century Slovenian music. The question about the old and the new is seen not only as a question of different facets of ...
Two Orients in Rudolf Bruci's opera Gilgamesh / Dva Istoka u operi Gilgameš Rudolfa Bručija
(Музикологија / Musicology, 2005)
The theme of this article is the ancient Orient as imagined by the Serbian composer Rudolf Bruci (1917-2002). The finale of his monumental opera Gilgamesh (1986; libretto by Arsa Milošević), makes display of heterogeneous ...
The traditional and modern in church music: A study in canon and creativity / Tradicionalno i moderno u crkvenoj muzici - ogled o kanonu i inventivnosti
(Музикологија / Musicology, 2006)
Definitions of the terms "traditional" and "modern", relating to the chanting tradition of the Eastern Church, sprang from research into so-called kalophony - a specific compositional method that established melismatic ...
Reception of the Istrian musical traditions / Recepcija istarske muzičke tradicije
(Музикологија / Musicology, 2007)
The successive colonization of Istria with culturally differentiated populations, and peripheral position of the peninsula regarding both the Latin and Slav worlds, has conditioned interesting phenomena which defines the ...
Different shapes of modernism/neoclassicism: Case study of Dušan Radić’s creative output / Različiti vidovi modernizma/neoklasicizma Dušana Radića
(Музикологија / Musicology, 2006)
This paper deals with musical neoclassicism in the context of modernism, and shows that some neoclassical features, usually considered to be reactionary and retrograde, could and should be understood as modernist. This ...
Entre avant-garde et trans-avant-garde: Sur quelques oeuvres de László Dubrovay des années 1980 / Između avangarde i transavangarde - o nekoliko dela Lasla Dubrovaja iz osamdesetih godina XX veka
(Музикологија / Musicology, 2006)
L’article présente un moment rare et exceptionnel dans l’histoire de la création hongroise des années 1980: quand László Dubrovay, compositeur hongrois, a pu réconcilier la tradition et l’innovation, l’avant-garde et le ...
Musical instruments depicted in Medieval Serbian art under Oriental and Western influences / Sagledavanje muzičkih instrumenata na spomenicima srpskih srednjovekovnih vladara u orijentalnom i zapadnoevropskom okruženju
(Музикологија / Musicology, 2005)
Researching musical instruments on frescoes, miniatures, icons and sculptural decorations of medieval Serbian art, painted and sculptured in the manner of Byzantine art, we discover Oriental and Western influences. Musical ...
Toru Takemitsu, novembr steps - Oppositions et complémentarités des traditions / Toru Takemicu, November steps - sukobljavanja i dopunjavanja tradicija
(Музикологија / Musicology, 2005)
Dans November Steps (1967) T. Takemitsu démontre des complémentarités d'idées de sources orientales et occidentales. Fondée sur le principe de variations, l'œuvre fait des références au même procédé dans une forme de musique ...
Thomas Morley als Musiktheoretiker / Tomas Morli kao teoretičar muzike
(Музикологија / Musicology, 2005)
Der Komponist und Musiktheoretiker Thomas Morley hat in seiner Abhandlung "A Plaine and Easie Introduction into Practicall Musicke" (heraus-gegeben 1597 in London) die Kompositionslehre seiner Zeit auf verständliche und ...
The light of the word in Ljubica Marić's music / Svetlost slova u 'muzikoslovlju' Ljubice Marić
(Музикологија / Musicology, 2009)
Ljubica Marić's music provides manifold encouragements for consideration in the light of the Logos, according to the teaching exposed in the prologue of the Gospel by St. John. It speaks of the essential inconceivability ...