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Korean opera-film Chunhyang and the trans-cultural politics of the voice / Korejska opera-film Čunhjang i transkulturna politika glasa
(Музикологија / Musicology, 2005)
This essay examines a Korean opera-film Chunhyang (2000) to show how it departs from the standard practice of Western opera-film and how its uniqueness is generated by the characteristics of indigenous Korean opera P'ansori. ...
Being a modern Serbian composer in the 1930's: The creative position of Ljubica Marić / Biti moderan srpski kompozitor tridesetih godina 20. veka - stvaralački stav ljubice Marić
(Музикологија / Musicology, 2001)
Ljubica Marić belongs to those rare Serbian composers who were fully involved in the international developments of modern music during the thirties. Her output shows that she was able to take over some dominant ideas of ...
Sublime and precise: Mind sonorities of Vlastimir Peričić / Tanano i precizno - umna zvučanja Vlastimira Peričića
(Музикологија / Musicology, 2008)
Author discusses the course and results of the professional activity of Serbian composer and musicologist Vlastimir Peričić (1927-2000). At the beginning of his career Peričić was a promising young composer who won a ...
Musik als Sprache oder strukturalistisches denken in der Musik am Beispiel Pierre Boulez / Muzika kao govor, ili strukturalistička misao o muzici na primeru Pjera Buleza
(Музикологија / Musicology, 2004)
Kaum ein anderer Begriff wurde iM Schrifttum über die Musik der fünfziger und sechziger Jahre derart strapaziert wie der Terminus Struktur. Struktur wurde zum Schlüsselwort iM Schreiben über Musik. In geradezu prekärem ...
Roman Ingarden’s theory of intentional musical work / Ingardenova teorija intencionalnog muzičkog dela
(Музикологија / Musicology, 2004)
Roman Ingarden (1893-1970) is a representative of the phenomenological trend in philosophy. He pursued his ontological interests in his fundamental treatise Das literarische Kunstwerk that was the starting point for his ...
Petar Bergamo’s symphonic compositions: Perspectives of the 1960s and 1990s / Simfonijske kompozicije Petra Bergama - sa gledišta šezdesetih i devedesetih godina XX veka
(Музикологија / Musicology, 2004)
This article deals with the orchestral opus of Petar Bergamo, a Croat composer whose most productive period was linked to Beograd, Serbia where he lived and worked at the time. In four works: First Symphony overture-phantasy ...
Instrumental'naja muzyka i ëtnoistoričeskaja identifikacija: Samosoznanie i tradicija / Instrumentalna muzika i etnoistorijska identifikacija - samospoznaja i tradicija
(Музикологија / Musicology, 2007)
Tema stat'i - rol' tradicionnyh muzykal'nyh instrumentov, žanrov i form instrumental'noj muzyki v vyjavlenii ëtničeskoj i kul'turno-istoričeskoj specifiki toj ili inoj ëtnokul'turnoj populjacii, pozvoljajuščej dat' ee ...
Texture et matériau dans la pensée musicale contemporaine / Tekstura i materijal u savremenoj muzičkoj misli
(Музикологија / Musicology, 2003)
Le mot texture désigne, selon la définition du dictionnaire Robert, la disposition des fils d'une chose tissée, s'appliquant tout naturellement aux principles du tissage et, par extension, peut concerner l'arrangement d' ...
Style and ideology: The cold war 'blend' in Greece / Stil i ideologija - hladnoratovska 'smeša' u Grčkoj
(Музикологија / Musicology, 2008)
This paper describes cultural policy in Greece from the end of World War II up to the fall of the junta of colonels in 1974. The writer's object is to show how the Cold War favoured defeated Western countries, which ...
Romanian experimental music between 1960-2000 / Rumunska eksperimentalna muzika između 1960. i 2000. godine
(Музикологија / Musicology, 2006)
This study has two parts: a general theory of experiment, and a descriptive part about Romanian experimental music in the second half of the 20th century. An experiment is an adventure and its nature depends on negation. ...