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Performing Sound of the Past: Remix in Electronic Dance Music Culture / Извођење звука прошлости: ремикс у култури електронске музике за игру
(Belgrade : Institute of Musicology, Serbian Academy of Sciences and Arts, 2014)
The term remix, defined as an activity of taking data from pre-existing materials
to combine them into new forms according to personal taste, relates to various
elements and areas of contemporary culture. Whichever model ...
The Quantum Vibes of Atoms and Ichthyosaurs / Квантне вибрације атома и ихтиосауруса
(Belgrade : Institute of Musicology. Serbian Academy of Sciences and Arts, 2018)
The quantum mechanical description of microscopic phenomena treats minuscule particles as waves and explains why atoms and molecules absorb and emit radiation at particular frequencies. Tis article reviews the physical ...
O статусу музике и музичких инструмената у арапској култури после објаве ислама / On the Staus of Music and Musical Instruments in Arabic Cultures after the Advent of Islam
(Београд : Музиколошки институт Српске академије наука и уметности, 2014)
Када се у арапским медијима појави вест да се у једној исламској земљи у
одређеном друштвено-религијском контексту не гледа са одобравањем на
свирање музичких инструмената, реактуелизује се питање статуса музике у
исламу. ...
Reception of Stevan Stojanović Mokranjac’s composing creativity in the musical life of Bosnia and Herzegovina: Austro-Hungarian period / Рецепција стваралаштва Стевана Стојановића Мокрањца у музичком животу Босне и Херцеговине: аустроугарски период
(Београд : Музиколошки институт Српске академије наука и уметности, 2014)
With the arrival of the Austro-Hungarian Monarchy, Bosnia and Herzegovina encountered Western European social trends, which affected the shaping of musical
life physiognomy in the late nineteenth and early twentieth ...
Diverging from an Established Greek Musical Nationalism: Aspects of Modernism in the Works of Dimitri Mitropoulos, Nikos Skalkottas, Dimitrios Levidis and Harilaos Perpessas, During the 1920s and 30s / Отклон од грчког музичког национализма: аспекти модернизма у делима Димитриса Митропулоса, Никоса Скалкотаса, Димитриоса Левидиса и Харилаоса Перпесаса током 20-их и 30-их година
(Belgrade : Institute of Musicology, Serbian Academy of Sciences and Arts, 2012)
The presence of many young talented composers outside Greece, studying in
prominent European music centres during the 1920s and 30s, set them free from the ideological
compulsions of Greek musical nationalism prevailing ...
Competitions as a form of public gusle playing performance / Takmičenja kao oblik javne guslarske prakse
(Музикологија / Musicology, 2011)
This paper offers an ethnomusicological perspective on competitions of guslars (players of a single-stringed musical instrument gusle predominantly used to accompany the voice of a singer reciting epic poetry), here ...
Communist Ideology and Academic Education. A Case Study: World Music History as a Subject in Romanian Universities, 1948-2014 / Комунистичка идеологија и академско образовање. Студија случаја: Општа историја музике као предмет на румунским универзитетима, 1948-2014
(Belgrade : Institute of Musicology Serbian Academy of Sciences and Arts, 2017)
This paper presents music history as a university discipline during Communism
and after. Shaping the specific historical context, marked by censorship, the study
focuses on the main course books on the subject, from ...
What, How, and Why in Serbian Music after the Second World War, in the Light of Ideological-Political Upheavals / Шта, како и зашто у српској музици после другог светског рата, у светлу идеолошко-политичких превирања
(Belgrade : Institute of Musicology, Serbian Academy of Sciences and Arts, 2017)
The subject of this paper concerns the consideration of the social and artistic
position of Serbian music within the framework of socialist cultural policies and
the post-socialist culture of Serbia in transition. That ...
Music and rhetoric in ekphonesis: The neume synemba / Melodijsko i retoričko značenje neume synemba
(Музикологија / Musicology, 2011)
In the development of ekphonetic notation, three phases are recognized: the pre-classical (9th-10th c.), the classical (11th-12th c.) and the degenerate system. By the end of the 12th century, in some manuscripts the rules ...