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Ethnomusicological biography of the traditional folk musician: Biography of the gusle-player / Etnomuzikološki 'portret' narodnog muzičara - guslar
(Музикологија / Musicology, 2008)
With the development of ethnomusicology from a comparative discipline to an anthropologically oriented science there has been an increase in the significance of the biography of folk musicians as scientific sources. The ...
La conception en tant que transmission: L'antiquité grecque selon Albert Roussel / Koncepcija kao transmisija - grčka antika prema Alberu Ruselu
(Музикологија / Musicology, 2008)
L'antiquité grecque occupe dans la production musicale française du début du XXe siècle une place importante. Le recours aux sujets grecs - qui se manifeste déjà depuis la seconde moitié du XIXe siècle - constitue un ...
Serbian music criticism in the first half of the twentieth century: Its canon, its method and its educational role / Starija srpska muzička kritika - kanon, postupak, prosvetiteljska tendencija
(Музикологија / Musicology, 2008)
Serbian music criticism became a subject of professional music critics at the beginning of the twentieth century, after being developed by music amateurs throughout the whole previous century. The Serbian Literary Magazine ...
Dimitri Mitropoulos: Lonesome passage to modern music / Dimitri Mitropulos - usamljeni prelaz u modernu muziku
(Музикологија / Musicology, 2008)
It is not widely known that Dimitri Mitropoulos first public appearances in Greece were as a composer. His early works (ca. 1912-1924), distinguished by the blend of elements of the late-romantic style with intensely ...
Sublime and precise: Mind sonorities of Vlastimir Peričić / Tanano i precizno - umna zvučanja Vlastimira Peričića
(Музикологија / Musicology, 2008)
Author discusses the course and results of the professional activity of Serbian composer and musicologist Vlastimir Peričić (1927-2000). At the beginning of his career Peričić was a promising young composer who won a ...
Style and ideology: The cold war 'blend' in Greece / Stil i ideologija - hladnoratovska 'smeša' u Grčkoj
(Музикологија / Musicology, 2008)
This paper describes cultural policy in Greece from the end of World War II up to the fall of the junta of colonels in 1974. The writer's object is to show how the Cold War favoured defeated Western countries, which ...
Transition of Greek art song from the national school to modernism / Grčka umetnička solo pesma na prelazu od nacionalne škole do modernizma
(Музикологија / Musicology, 2008)
This study presents the different ways in which two Greek composers, Leonidas Zoras and Jani Christou, viewed modernism. The songs of Zoras are typical example of the gradual withdrawal from the aesthetic framework of the ...
Musical and film time / Muzičko i filmsko vreme
(Музикологија / Musicology, 2008)
Comparative analysis of linear, non-linear and multiple temporal dimensions in music and film reveals that the understanding and utilisation of time in these two arts reflect not only the aesthetic inclinations of its ...
Post in the 'modern': Greek film music and the work of Nikos Mamangakis / Post u modernom - grčka filmska muzika i delo Nikosa Mamangakisa
(Музикологија / Musicology, 2008)
This article is focused on Nikos Mamangakis, one of the most ambiguous art-popular composers in Greece. His compositions for cinema are also quite provocative. Mamangakis' cooperation with Finos Film (the major Greek film ...
Xenakis et le passage vers l'universel / Ksenakis i put ka univerzalnom
(Музикологија / Musicology, 2008)
La recherche de l'identité culturelle, notamment aux pays qui sont menacés ou se sentent menacés par une culture dominante, peut conduire, bien des fois, au nationalisme et l'isolement. Elle peut aussi, peutêtre plus ...