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Emerik Beran (1868-1940): The lonely cosmopolitan / Jernej Weiss: Emerik Beran (1868-1940) - samotni svetovljan
(Музикологија / Musicology, 2009)
Baroque references in works of Vlastimir Trajković / Barokne reference u delima Vlastimira Trajkovića
(Музикологија / Musicology, 2012)
The article examines Baroque references in three Trajković’s compositions: Arion, Le nuove musiche per Chitarra ed Archi op. 8 (1979), Le retour des zéphyres ou ‘Zefi ro torna’ op. 25 (2001) and solo song Renouveau from ...
Prokofiev’s Seventh Symphony and its Тwo Еndings: А Study of “Imposed” Revisions / Седма симфонија Прокофјева и њена два завршетка: студија o „наметнутиm” ревизијаma
(Belgrade : Institute of Musicology Serbian Academy of Sciences and Arts, 2017)
Why does a composer resort to changing any one of his compositions? Under
what circumstances does the creative output need to be re-evaluated and
perhaps reconsidered? Prokofiev’s final Seventh Symphony presents two ...
La conception en tant que transmission: L'antiquité grecque selon Albert Roussel / Koncepcija kao transmisija - grčka antika prema Alberu Ruselu
(Музикологија / Musicology, 2008)
L'antiquité grecque occupe dans la production musicale française du début du XXe siècle une place importante. Le recours aux sujets grecs - qui se manifeste déjà depuis la seconde moitié du XIXe siècle - constitue un ...
On the orthodox church melos: A contribution to the typology of church chant / O napevu u pravoslavnom crkvenom pojanju - prilog tipologiji crkvenih napeva
(Музикологија / Musicology, 2003)
Many unresolved questions related to post-Byzantine church chanting present obstacles to understanding some aspects of church music since the 19th century. One of those problems concerns the need for strict definitions of ...
Olivier Messiaen's quartet for the end of time, secret of form: Movement VI / Mesijanov kvartet za svršetak vremena, tajna forme - VI stav
(Музикологија / Musicology, 2005)
Knowing that Messiaen's early period, especially The Quartet for the End of Time, got so many written comments and discussions and from renowned critics, musicologists and composers it is hard to believe that anything ...
Synthesis and Analysis of Sounds Developed from the Bose-Einstein Condensate: Theory and Experimental Results / Синтеза и анализа звукова развијених из Бозe-Ајнштајновог кондензата: теорија и експериментални резултати
(Belgrade : Institute of Musicology, Serbian Academy of Sciences and Arts, 2018)
Two seemingly incompatible worlds of quantum physics and acoustics have their
meeting point in experiments with the Bose-Einstein Condensate. From the
very beginning, the Quantum Music project was based on the idea of ...
'Exoticism' in the opera Gilgamesh by Rudolf Brucci in Ralph Locke's 'All the music in the full context' paradigm / 'Egzotičnost' opere Gilgameš Rudolfa Bručija u paradigmi 'Muzika u celokupnom kontekstu' Ralfa Loka
(Музикологија / Musicology, 2013)
In this text, Rudolf Brucci's opera Gilgamesh is viewed in the light of Ralph Locke's 'All the Music in the Full Context' Paradigm which promotes the approach that one should search for the exotic elements in musical works ...
Serbian music criticism in the first half of the twentieth century: Its canon, its method and its educational role / Starija srpska muzička kritika - kanon, postupak, prosvetiteljska tendencija
(Музикологија / Musicology, 2008)
Serbian music criticism became a subject of professional music critics at the beginning of the twentieth century, after being developed by music amateurs throughout the whole previous century. The Serbian Literary Magazine ...