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Bulgarian wedding music between folk and chalg: Politics, markets and current directions / Bugarska svadbarska muzika između folka i čalge - politika, tržište i današnje usmerenje
(Музикологија / Musicology, 2007)
This article investigates the performative relationship among folklore, the market, and the state through an analysis of the politics of Bulgarian wedding music. In the socialist period wedding music was condemned by the ...
Dr. Nele Karajlić in the Framework of the “New Primitives” / Др Неле Карајлић у оквиру „новог примитивизма”
(Belgrade : Institute of Musicology, Serbian Academy of Sciences and Arts, 2017)
The “New Primitives” is an alternative, and later, a cultural movement that emerged
in Sarajevo in the late 1970s and early 1980s; the movement officially ceased to
exist in 1987. The most substantial cultural capital ...
On the (in)completeness of Schoenberg's oratorio die Jakobsleiter / O (ne)završenosti Šenbergovog oratorijuma Die Jakobsleiter
(Музикологија / Musicology, 2009)
The question why Arnold Schoenberg did not complete his oratorio Die Jakobsleiter according to his initial plan, but instead decided to set to music only the text from the first part of the work and to compose the Great ...
Lundberg Dan, Malm Krister, Owe Ronström: Music, media, multiculture: Changing musicscapes, Svenskt Visarkiv, Stockholm, 2003
(Музикологија / Musicology, 2008)
Dead public spaces - live private corners: (Re)contextualization of musically public and private / Mrtvi javni prostori - živi privatni uglovi - (re)kontekstualizacija muzički javnog i privatnog
(Музикологија / Musicology, 2009)
The expressions of private and public musical life and experience are mostly discussed separately. This article joins these two concepts into one scope and surveys the identity of both. In ideal (utopian?) traditional ...
Ethnomusicological biography of the traditional folk musician: Biography of the gusle-player / Etnomuzikološki 'portret' narodnog muzičara - guslar
(Музикологија / Musicology, 2008)
With the development of ethnomusicology from a comparative discipline to an anthropologically oriented science there has been an increase in the significance of the biography of folk musicians as scientific sources. The ...
Die Anwesenheit des abwesenden schmerzlich zu machen... / Prisustvo odsutnog učiniti bolnim...
(Музикологија / Musicology, 2003)
Adriana Hölzskys Bühnenwerk Tragödie - unsichtbarer Raum (1997), das kennt keine Handlung, keinen Gesang unf keine Bühnenfiguren, kann als ein radikales Experiment, eine eigenartige Metaoper bezeichnet werden. Anstelle der ...
Zora D. by Isidora Žebeljan: Towards the new opera / Zora D. Isidore Žebeljan - put ka novoj operi
(Музикологија / Musicology, 2004)
Opera Zora D., composed by Isidora Žebeljan during 2002 and 2003, and which was premiered in Amsterdam in June 2003, is the first Serbian opera that had a world premiere abroad. It is also the first Serbian opera that has ...
Contribution of Ljubica and Danica Janković to Establishment of Ethnochoreology in Serbia as an Academic Scholarly Discipline / Допринос Љубице и Данице Јанковић установљењу етнокореологије у Србији као академске научне дисциплине
(Belgrade : Institute of Musicology, Serbian Academy of Sciences and Arts, 2014)
The Janković sisters are pioneers of ethnochoreological research in Serbia. Their
scholarly methodology is based on intenisve feld research and their development
of a unique system of dance notation, which enabled them ...