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Symbolism and theatre of masques: The deathly carnival of la belle époque / Simbolizam i teatar maski - smrtonosni karneval kraja veka
(Музикологија / Musicology, 2005)
The junction of the nineteenth and twentieth centuries in Europe sharpened the clash of artistic novelties in the Western and Slavonic worlds, caused by developed Symbolism and Expressionism. As an output of the former ...
The Russian musical emigration in Yugoslavia after 1917 / Ruska muzička emigracija u Jugoslaviji posle 1917. godine
(Музикологија / Musicology, 2003)
Around forty thousand Russian emigrants settled in Yugoslavia running away from the terror of the 1917 Revolution. A high percentage of them were writers, artists, musicians and ballet dancers. Their greatest contribution ...
The complementary nature of poetic and musical systems in ritual visits to households / Komplementarnost poetskog i muzičkog sistema u obrednim ophodima domova
(Музикологија / Musicology, 2009)
Analysis of poetic texts of the ritual - processions (koledari, lazarice kraljice) in Southeastern Serbia has proved that poetical systems facilitate the differentiation at all levels of semantic relations connected to ...
Magic numbers in the music of Sofia Gubaidulina / Magični brojevi u muzici Sofije Gubajduline
(Музикологија / Musicology, 2002)
Sofia Gubaidulina's compositions are characterized by a special kind of symbolism and constructivism both based on numbers, i.e. mathematical proportions. In almost all her works so-called numerical plots can be detected. ...
Musikerbriefe als Spiegel überregionaler Kulturbeziehungen in Mittel - und Osteuropa / Pisma muzičara kao ogledalo nadregionalnih kulturnih veza u srednjoj i istočnoj Evropi
(Музикологија / Musicology, 2002)
Traditionell ist die Musikgeschichtsschreibung nicht nur in Deutschland, sondern auch im östlichen Europa sehr stark nationalen Kriterien verpflichtet, und Musik wird vor allem als Nationalkultur verstanden. Dem gegenüber ...
The stages of modernism in Serbian music / Etape modernizma u srpskoj muzici
(Музикологија / Musicology, 2006)
In order to consider this topic, it was first necessary to discuss certain problems of terminology and periodisation relating to musical modernism in general. It is already familiar the extent to which the terms "new music", ...
The 'Stevan Mokranjac' award for 2005 Dejan Despić: Diptych for English horn and string instruments / Nagrada 'Stevan Mokranjac' za 2005. godinu - Dejan Despić - diptih za engleski rog i gudače
(Novi zvuk - internacionalni časopis za muziku, 2007)
In 2005 academician Dejan Despić celebrated the 75th birthday and 50 years of his fruitful work (180 opuses!). Six concerts held in Belgrade, Novi Sad and Kragujevac were the excellent occasion for the remarkable retrospective ...
The maiden and death: A comparative reading of the homonymous compositions of Nikos Skalkottas and Antiochos Evangelatos as narrations of Greek tradition / Devojka i smrt - komparativno čitanje istoimenih kompozicija Nikosa Skalkotasa i Antiohosa Evangelatosa kao naracija grčke tradicije
(Музикологија / Musicology, 2004)
Nikos Skalkottas’s (1904-1949) first ballet score, The Maiden and Death, was written in 1938. It is one of his most important tonal works, its plot being derived from a well-known folk-poem with the same title. Antiochos ...
A song that will not die: Shifting symbolism in the interpretation of two sanguineous operas / Pesma koja ne umire - promenljivi simbolizam u interpretaciji dveju mračnih opera
(Музикологија / Musicology, 2005)
Bartók's well-known opera Duke Bluebeard's Castle has an internationally hardly known parallel in Willem Pijper's opera Halewijn. The Hungarian and the Dutch opera share the same motives; they make use of a historical, a ...
Alphons Diepenbrock and the European world of composers at the fin-de-siècle / Alfons Dipenbrok i svet kompozitora fin-de-siècle-a
(Музикологија / Musicology, 2002)
The article consists of three parts. In the first part the author gives a survey of the large artistic renewal that took place in the Netherlands around 1900. Special attention is given to "de beweging van Tachtig" (the ...