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Popular music as an anticipation, 'framing' and construction of generational memory of the 1968 students' protest in Yugoslavia / Popularna muzika kao anticipacija, 'uokviravanje' i konstrukcija generacijskog sećanja na studentski bunt 1968. godine u Jugoslaviji
(Музикологија / Musicology, 2013)
By focusing on the role of music within a certain political event - in this case, the students' protests in Yugoslavia in June 1968 - I connect the sociology of music with the sociology of social movements as defined by ...
The mysterious Misirlou / Tajnovita Misirlu - varijante jedne internacionalne melodije mediteranskog porekla u popularnoj muzici XX veka
(Музикологија / Musicology, 2013)
My article deals with an unusual story on the roots of a song that has left a significant imprint on the twentieth century popular music all over the world. It is the song Misirlou, created somewhere on the territory of ...
'Exoticism' in the opera Gilgamesh by Rudolf Brucci in Ralph Locke's 'All the music in the full context' paradigm / 'Egzotičnost' opere Gilgameš Rudolfa Bručija u paradigmi 'Muzika u celokupnom kontekstu' Ralfa Loka
(Музикологија / Musicology, 2013)
In this text, Rudolf Brucci's opera Gilgamesh is viewed in the light of Ralph Locke's 'All the Music in the Full Context' Paradigm which promotes the approach that one should search for the exotic elements in musical works ...
Black Swans and Many Worlds: Contemporary models in music, the arts and ideas / Crni labudovi i Višestruki svetovi - savremeni modeli u muzici, umetnosti i idejama
(Музикологија / Musicology, 2013)
Black Swans and Many Worlds are new models to help explain musical structures, and by extension, events in the social environment and in internal human experience. Many Worlds takes its departure point from quantum physics, ...
The word and music of epic song: From syncretism to sung poetry / Reč i muzika epske pesme - od sinkretizma do pevane poezije
(Музикологија / Musicology, 2013)
This study concerns the relationship between verbal and musical components of Serbian epic songs with rhythm seen as a morphological dominant. My aim is to enrich the musicological inquiry of this issue and provide a ...
Word and melody in the opus of Momčilo and Svetomir Nastasijević / Reč i melodija u stvaralaštvu Momčila i Svetomira Nastasijevića
(Музикологија / Musicology, 2013)
In the house of artistically gifted family Nastasijević where renowned Belgrade artists used to gather together during the twenties and thirties of the previous century, music was nothing but an excuse for regular meetings. ...
'It does not matter that she is a female, she will be a gusle player': The ideology of an instrument / 'Neka je žensko, ali biće guslar'- ideologija jednog instrumenta
(Музикологија / Musicology, 2013)
Within the theoretical and methodological framework based on the concept of the ideology of tradition, I analyze a wide and complex repertoire of attitudes toward female gusle players. Aside from the techniques of ...
Kivy and Langer on expressiveness in music / Kivi i Langerova o ekspresivnosti muzike
(Музикологија / Musicology, 2013)
From 1980 onwards, Peter Kivy has put forward that music does not so much express emotions but rather is expressive of emotions. The character of the music does not represent the character or mood of the composer, but ...
Lubomír Spurný and Jiří Vysloužil: Alois Hába: A catalogue of music and writings, Koniasch latin press, Prague, 2010
(Музикологија / Musicology, 2013)
Les modèles économiques du genre de la comédie musicale en Serbie et en France depuis 2005 / Ekonomski modeli i žanr muzičke komedije u Srbiji i Francuskoj od 2005. godine
(Музикологија / Musicology, 2013)
Le genre de la comédie musicale - ou musical en terminologie anglo-saxonne - représente un sujet d'actualité de la vie théâtrale serbe et française. La dernière décennie a donné un nouveau élan au genre, mais c'est notamment ...