'It does not matter that she is a female, she will be a gusle player': The ideology of an instrument
'Neka je žensko, ali biće guslar'- ideologija jednog instrumenta
Abstract
Within the theoretical and methodological framework based on the concept of the ideology of tradition, I analyze a wide and complex repertoire of attitudes toward female gusle players. Aside from the techniques of representation demonstrated in scientific discourses, I examine the status of female gusle players by assessing the material obtained during several years of field researches (the 'male' perspective), and I also refer to the public (media) discourse, acknowledging the characteristics of media and popular culture. The 'researcher's voice' is also interpreted as part of a discourse on the ideology of tradition.
U radu se predlaže uvođenje teorijsko-metodološkog koncepta ideologija tradicije. Ideologija tradicije mogla bi se odrediti kao kompleks pozicija i stavova koji se o tradiciji iznose i oblikuju. Sa pomenutog stanovišta pitanje žena koje pevaju uz gusle može se definisati i kao jedan od slojeva ideologije instrumenta/ gusala. Razmatraju se stavovi o ovom problemu formirani iz 'spoljašnje perspektive' ('muška' perspektiva dobijena tokom terenskih istraživanja, slika kreirana u javnom diskursu). Problematizuje se (ideološka) pozicija istraživača u ovako orijentisanom proučavanju.
Keywords:
gusle / tradicija / ideologija tradicije / terenska istraživanja / javni diskursSource:
Музикологија / Musicology, 2013, 14, 159-187Funding / projects:
- Serbian Oral Tradition in an Intercultural Code (RS-178011)
Collections
Institution/Community
Музиколошки институт САНУ / Institute of Musicology SASATY - JOUR AU - Đorđević-Belić, Smiljana Ž. PY - 2013 UR - https://dais.sanu.ac.rs/123456789/2720 AB - Within the theoretical and methodological framework based on the concept of the ideology of tradition, I analyze a wide and complex repertoire of attitudes toward female gusle players. Aside from the techniques of representation demonstrated in scientific discourses, I examine the status of female gusle players by assessing the material obtained during several years of field researches (the 'male' perspective), and I also refer to the public (media) discourse, acknowledging the characteristics of media and popular culture. The 'researcher's voice' is also interpreted as part of a discourse on the ideology of tradition. AB - U radu se predlaže uvođenje teorijsko-metodološkog koncepta ideologija tradicije. Ideologija tradicije mogla bi se odrediti kao kompleks pozicija i stavova koji se o tradiciji iznose i oblikuju. Sa pomenutog stanovišta pitanje žena koje pevaju uz gusle može se definisati i kao jedan od slojeva ideologije instrumenta/ gusala. Razmatraju se stavovi o ovom problemu formirani iz 'spoljašnje perspektive' ('muška' perspektiva dobijena tokom terenskih istraživanja, slika kreirana u javnom diskursu). Problematizuje se (ideološka) pozicija istraživača u ovako orijentisanom proučavanju. T2 - Музикологија / Musicology T1 - 'It does not matter that she is a female, she will be a gusle player': The ideology of an instrument T1 - 'Neka je žensko, ali biće guslar'- ideologija jednog instrumenta SP - 159 EP - 187 IS - 14 DO - 10.2298/MUZ1314159D UR - https://hdl.handle.net/21.15107/rcub_dais_2720 ER -
@article{ author = "Đorđević-Belić, Smiljana Ž.", year = "2013", abstract = "Within the theoretical and methodological framework based on the concept of the ideology of tradition, I analyze a wide and complex repertoire of attitudes toward female gusle players. Aside from the techniques of representation demonstrated in scientific discourses, I examine the status of female gusle players by assessing the material obtained during several years of field researches (the 'male' perspective), and I also refer to the public (media) discourse, acknowledging the characteristics of media and popular culture. The 'researcher's voice' is also interpreted as part of a discourse on the ideology of tradition., U radu se predlaže uvođenje teorijsko-metodološkog koncepta ideologija tradicije. Ideologija tradicije mogla bi se odrediti kao kompleks pozicija i stavova koji se o tradiciji iznose i oblikuju. Sa pomenutog stanovišta pitanje žena koje pevaju uz gusle može se definisati i kao jedan od slojeva ideologije instrumenta/ gusala. Razmatraju se stavovi o ovom problemu formirani iz 'spoljašnje perspektive' ('muška' perspektiva dobijena tokom terenskih istraživanja, slika kreirana u javnom diskursu). Problematizuje se (ideološka) pozicija istraživača u ovako orijentisanom proučavanju.", journal = "Музикологија / Musicology", title = "'It does not matter that she is a female, she will be a gusle player': The ideology of an instrument, 'Neka je žensko, ali biće guslar'- ideologija jednog instrumenta", pages = "159-187", number = "14", doi = "10.2298/MUZ1314159D", url = "https://hdl.handle.net/21.15107/rcub_dais_2720" }
Đorđević-Belić, S. Ž.. (2013). 'It does not matter that she is a female, she will be a gusle player': The ideology of an instrument. in Музикологија / Musicology(14), 159-187. https://doi.org/10.2298/MUZ1314159D https://hdl.handle.net/21.15107/rcub_dais_2720
Đorđević-Belić SŽ. 'It does not matter that she is a female, she will be a gusle player': The ideology of an instrument. in Музикологија / Musicology. 2013;(14):159-187. doi:10.2298/MUZ1314159D https://hdl.handle.net/21.15107/rcub_dais_2720 .
Đorđević-Belić, Smiljana Ž., "'It does not matter that she is a female, she will be a gusle player': The ideology of an instrument" in Музикологија / Musicology, no. 14 (2013):159-187, https://doi.org/10.2298/MUZ1314159D ., https://hdl.handle.net/21.15107/rcub_dais_2720 .