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'It does not matter that she is a female, she will be a gusle player': The ideology of an instrument

'Neka je žensko, ali biće guslar'- ideologija jednog instrumenta

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2013
2798.pdf (333.1Kb)
Authors
Đorđević-Belić, Smiljana Ž.
Article (Published version)
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Abstract
Within the theoretical and methodological framework based on the concept of the ideology of tradition, I analyze a wide and complex repertoire of attitudes toward female gusle players. Aside from the techniques of representation demonstrated in scientific discourses, I examine the status of female gusle players by assessing the material obtained during several years of field researches (the 'male' perspective), and I also refer to the public (media) discourse, acknowledging the characteristics of media and popular culture. The 'researcher's voice' is also interpreted as part of a discourse on the ideology of tradition.
U radu se predlaže uvođenje teorijsko-metodološkog koncepta ideologija tradicije. Ideologija tradicije mogla bi se odrediti kao kompleks pozicija i stavova koji se o tradiciji iznose i oblikuju. Sa pomenutog stanovišta pitanje žena koje pevaju uz gusle može se definisati i kao jedan od slojeva ideologije instrumenta/ gusala. Razmatraju se stavovi o ovom problemu formirani iz 'spoljašnje perspektive' ('muška' perspektiva dobijena tokom terenskih istraživanja, slika kreirana u javnom diskursu). Problematizuje se (ideološka) pozicija istraživača u ovako orijentisanom proučavanju.
Keywords:
gusle / tradicija / ideologija tradicije / terenska istraživanja / javni diskurs
Source:
Музикологија / Musicology, 2013, 14, 159-187
Projects:
  • Serbian Oral Tradition in an Intercultural Code (RS-178011)

DOI: 10.2298/MUZ1314159D

ISSN: 1450-9814 (print)

[ Google Scholar ]
URI
http://dais.sanu.ac.rs/123456789/2720
Collections
  • Музикологија (часопис) / Musicology (journal)
Institution
Музиколошки институт САНУ / Institute of Musicology SASA
TY  - JOUR
AU  - Đorđević-Belić, Smiljana Ž.
PY  - 2013
UR  - http://dais.sanu.ac.rs/123456789/2720
AB  - Within the theoretical and methodological framework based on the concept of the ideology of tradition, I analyze a wide and complex repertoire of attitudes toward female gusle players. Aside from the techniques of representation demonstrated in scientific discourses, I examine the status of female gusle players by assessing the material obtained during several years of field researches (the 'male' perspective), and I also refer to the public (media) discourse, acknowledging the characteristics of media and popular culture. The 'researcher's voice' is also interpreted as part of a discourse on the ideology of tradition.
AB  - U radu se predlaže uvođenje teorijsko-metodološkog koncepta ideologija tradicije. Ideologija tradicije mogla bi se odrediti kao kompleks pozicija i stavova koji se o tradiciji iznose i oblikuju. Sa pomenutog stanovišta pitanje žena koje pevaju uz gusle može se definisati i kao jedan od slojeva ideologije instrumenta/ gusala. Razmatraju se stavovi o ovom problemu formirani iz 'spoljašnje perspektive' ('muška' perspektiva dobijena tokom terenskih istraživanja, slika kreirana u javnom diskursu). Problematizuje se (ideološka) pozicija istraživača u ovako orijentisanom proučavanju.
T2  - Музикологија / Musicology
T1  - 'It does not matter that she is a female, she will be a gusle player': The ideology of an instrument
T1  - 'Neka je žensko, ali biće guslar'- ideologija jednog instrumenta
SP  - 159
EP  - 187
IS  - 14
DO  - 10.2298/MUZ1314159D
ER  - 
@article{
author = "Đorđević-Belić, Smiljana Ž.",
year = "2013",
url = "http://dais.sanu.ac.rs/123456789/2720",
abstract = "Within the theoretical and methodological framework based on the concept of the ideology of tradition, I analyze a wide and complex repertoire of attitudes toward female gusle players. Aside from the techniques of representation demonstrated in scientific discourses, I examine the status of female gusle players by assessing the material obtained during several years of field researches (the 'male' perspective), and I also refer to the public (media) discourse, acknowledging the characteristics of media and popular culture. The 'researcher's voice' is also interpreted as part of a discourse on the ideology of tradition., U radu se predlaže uvođenje teorijsko-metodološkog koncepta ideologija tradicije. Ideologija tradicije mogla bi se odrediti kao kompleks pozicija i stavova koji se o tradiciji iznose i oblikuju. Sa pomenutog stanovišta pitanje žena koje pevaju uz gusle može se definisati i kao jedan od slojeva ideologije instrumenta/ gusala. Razmatraju se stavovi o ovom problemu formirani iz 'spoljašnje perspektive' ('muška' perspektiva dobijena tokom terenskih istraživanja, slika kreirana u javnom diskursu). Problematizuje se (ideološka) pozicija istraživača u ovako orijentisanom proučavanju.",
journal = "Музикологија / Musicology",
title = "'It does not matter that she is a female, she will be a gusle player': The ideology of an instrument, 'Neka je žensko, ali biće guslar'- ideologija jednog instrumenta",
pages = "159-187",
number = "14",
doi = "10.2298/MUZ1314159D"
}
Đorđević-Belić SŽ. 'It does not matter that she is a female, she will be a gusle player': The ideology of an instrument. Музикологија / Musicology. 2013;(14):159-187
,& Đorđević-Belić, S. Ž. (2013). 'It does not matter that she is a female, she will be a gusle player': The ideology of an instrument.
Музикологија / Musicology, null(14), 159-187. 
https://doi.org/10.2298/MUZ1314159D
Đorđević-Belić Smiljana Ž., "'It does not matter that she is a female, she will be a gusle player': The ideology of an instrument" null, no. 14 (2013):159-187,
https://doi.org/10.2298/MUZ1314159D .

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