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Приказ резултата 301-310 од 400
The Coexistence of Older and Newer Two-Part Folk Singing in the Village of Prekonoga (Southeastern Serbia) as an Example of Bimusicality / Коегзистенција старијег и новијег двогласног народног певања у селу Преконога (југоисточна Србија) као пример бимузикалности
(Belgrade : Institute of Musicology, Serbian Academy of Sciences and Arts, 2015)
This paper deals with two different styles of rural folk singing in Southeastern Serbia
which coexisted in the repertoire of a particular folk group. It is interesting that
folk singing in the area of Svrljig can be ...
„Doch wie’s da drin aussieht, geht niemand was an.“ Musikausübung und Politikverständnis bei Hermann Scherchen / „На то како нешто изнутра изгледа нико не обраћа пажњу.” Музичко деловање Хермана Шерхена и његово разумевање политичких прилика
(Belgrade : Institute of Musicology, Serbian Academy of Sciences and Arts, 2015)
Am Beispiel des deutschen Dirigenten Hermann Scherchen (1891-1966) wird dargelegt, wie sein öffentliches Verschweigen eigener linker und antifaschistischer Position in den Jahren nach 1933 zu negativen Reaktionen und ...
Star Persona and National Identity in the Age of the Empire: The Role of Maja Strozzi-Pečić in Petar Konjović’s Opus / Појам звезде и проблем националног идентитета у доба империје: допринос Маје Строци-Печић стваралаштву Петра Коњовића
(Belgrade : Institute of Musicology, Serbian Academy of Sciences and Arts, 2016)
This study explores the collaboration between the soprano Maja Strozzi-Pečić
and the composer Petar Konjović. It sheds light on the relations between the star
and the musical work, as well as the notions of gender and ...
Popular Music and Producing Collectivities: the Challenges of Audience Research in Contemporary Musicology / Популарна музика и произвођење колективитета: изазови истраживања публике у савременој музикологији
(Belgrade : Institute of Musicology, Serbian Academy of Sciences and Arts, 2015)
In this paper I deal with the ways in which the audience functions as a means of
producing collectivities. I define audience as a material body that is a carrier of
affective potential in a certain time and space. Taking ...
Интерпретация классических музыкальных произведений в польской и русской анимации как основа творческого диалога / The Interpretation of Classical Music in Polish and Russian Animation as a Basis for Creative Dialogue
(Београд : Музиколошки институт Српске академије наука и уметности, 2016)
Музыкальный анимационный фильм – это точка пересечения авторских
миров – диалог музыканта и художника, это живой процесс визуальной
интерпретации художественного образа музыкального произведения.
Диалог режиссера ...
Modernism and tradition and the traditions of modernism / Modernizam i tradicija i tradicije modernizma
(Музикологија / Musicology, 2006)
Conventionally, the story of musical modernism has been told in terms of a catastrophic break with the (tonal) past and the search for entirely new techniques and modes of expression suitable to a new age. The resulting ...
Romanian vs. Greek-Turkish-Persian-Arab: Imagining national traits for Romanian church chant / Rumunsko i grčko-tursko-persijsko-arapsko nasleđe - osobenosti rumunskog crkvenog pojanja
(Музикологија / Musicology, 2011)
Romanian cantors, clergymen and musicologists debated the problem of a national church chant from the late 19th century onwards. Amongst other things, they tried to define the specific traits of Romanian chant, to place ...
Voices of earthmen (1995) by Vladan Radovanović: A review / Vladan Radovanović: Glasovi Zemljana (1995) - prikaz
(Музикологија / Musicology, 2007)
This paper discusses the compositional technique and the poetic level of the composition Glasovi Zemljana (Voices of Earthmen) composed by Vladan Radovanović in 1995. The work is based on the composer’s own musical principle, ...
The creation of folk music program on Radio Belgrade before World War Two: Editorial policies and performing ensembles / Kreiranje narodne muzike na programu Radio Beograda do Drugog svetskog rata - uredničke politike i izvođački ansambli
(Музикологија / Musicology, 2013)
This paper deals with the establishing of the organizing models, on one side, and with folk music and its aesthetic characteristics in the interwar period, on the other. This problem significantly contributed to the present ...
Arti Musices Pannoniarum – The Compositional Practice in Vojvodina in the Social-Historical and Musico-Historical Context / Arti Musices Pannoniarum – композиторско стваралаштво на територији Војводине у друштвено-историјском и музичко-историјском контексту
(Belgrade : Institute of Musicology, Serbian Academy of Sciences and Arts, 2022)
In this paper, the territorial frameworks are set with the aim of forming a regional historical synthesis dedicated to the creation of art music in Vojvodina, a synthesis that differs from those offered in previous music ...