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Zora D. by Isidora Žebeljan: Towards the new opera / Zora D. Isidore Žebeljan - put ka novoj operi
(Музикологија / Musicology, 2004)
Opera Zora D., composed by Isidora Žebeljan during 2002 and 2003, and which was premiered in Amsterdam in June 2003, is the first Serbian opera that had a world premiere abroad. It is also the first Serbian opera that has ...
Innere Emigration und Diktatur die getarnten Botschaften in den Opern der meister aus bojana von Konstantin Iliev und der gefesselte Prometeus von Lazar Nikolov / Unutrašnja emigracija i diktatura - 'Majstor iz Bojane' Konstantina Ilijeva i 'Okovani Prometej' Lazara Nikolova
(Музикологија / Musicology, 2004)
Die Frage der "inneren Emigration" in den ehemaligen kommunistischen Ländern Europas wird an Beispielen zweier Opern der wichtigen bulgarischen Komponisten Konstantin Iliev und Lazar Nikolov untersucht. Ähnlich wie Paul ...
Communion songs not regulated by the typicon in the recent tradition of Serbian church singing / Tipikom nepropisane pričasne pesme u novijoj tradiciji srpskog crkvenog pojanja
(Музикологија / Musicology, 2004)
In notated collections of Serbian church hymns from the 19th and 20th century there are, among others, communion songs with texts that were not regulated by the Typicon. These so-called "arbitrary communion songs" have ...
The maiden and death: A comparative reading of the homonymous compositions of Nikos Skalkottas and Antiochos Evangelatos as narrations of Greek tradition / Devojka i smrt - komparativno čitanje istoimenih kompozicija Nikosa Skalkotasa i Antiohosa Evangelatosa kao naracija grčke tradicije
(Музикологија / Musicology, 2004)
Nikos Skalkottas’s (1904-1949) first ballet score, The Maiden and Death, was written in 1938. It is one of his most important tonal works, its plot being derived from a well-known folk-poem with the same title. Antiochos ...
Mozarts Gegenwärtigkeit in der zeitgenössischen Musik: Werken von F. Weiss, A. Schnittke, V. Dinescu, R. Vlad, A. Stroe, T. Olah, H.P. Türk und D. Dediu / Mocartovo prisustvo u savremenoj muzici - dela F. Vajsa, A. Šnitkea, V. Dinesku, R. Vlada, A. Stroea, T. Olaha, H.P. Tirka i D. Dediua
(Музикологија / Musicology, 2004)
Das Zitat aus Mozart oder die Übernahme von mozartschen schöpferischen Ideen in die gegenwärtige Musik scheint - insbesondere in der rumänischen Musik - eine oft verwendete kompositorische Technik zu sein. Beachtlich ist ...
A composer’s inner biography: A sketch for the study of influences in Ljubica Marić’s oeuvre / Unutarnja biografija kompozitora - skica za studiju o uticajima u delima Ljubice Marić
(Музикологија / Musicology, 2004)
Attempting to investigate works of music through frank examination of possible influences is a delicate thing, sometimes maybe dangerous - as has been suggested by Jonathan Cross in his book, The Stravinsky Legacy. While ...
Musik als Sprache oder strukturalistisches denken in der Musik am Beispiel Pierre Boulez / Muzika kao govor, ili strukturalistička misao o muzici na primeru Pjera Buleza
(Музикологија / Musicology, 2004)
Kaum ein anderer Begriff wurde iM Schrifttum über die Musik der fünfziger und sechziger Jahre derart strapaziert wie der Terminus Struktur. Struktur wurde zum Schlüsselwort iM Schreiben über Musik. In geradezu prekärem ...
Roman Ingarden’s theory of intentional musical work / Ingardenova teorija intencionalnog muzičkog dela
(Музикологија / Musicology, 2004)
Roman Ingarden (1893-1970) is a representative of the phenomenological trend in philosophy. He pursued his ontological interests in his fundamental treatise Das literarische Kunstwerk that was the starting point for his ...
Petar Bergamo’s symphonic compositions: Perspectives of the 1960s and 1990s / Simfonijske kompozicije Petra Bergama - sa gledišta šezdesetih i devedesetih godina XX veka
(Музикологија / Musicology, 2004)
This article deals with the orchestral opus of Petar Bergamo, a Croat composer whose most productive period was linked to Beograd, Serbia where he lived and worked at the time. In four works: First Symphony overture-phantasy ...
Samuel Beckett and music. An absurd essay about the idea of musicality and musical form in Samuel Beckett’s short pieces: influences and possibilities / Semjuel Beket i muzika. Apsurdni esej o ideji muzikalnosti i muzičkoj formi u Beketovim kratkim komadima - uticaji i mogućnosti
(Музикологија / Musicology, 2004)
The premise of musicality of Beckett’s short dramas contains more questions than answers. Is the musicality of text present only in the work of Samuel Beckett? Do only the (musical) stage remarks in Beckett’s dramas suggest ...