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A song that will not die: Shifting symbolism in the interpretation of two sanguineous operas / Pesma koja ne umire - promenljivi simbolizam u interpretaciji dveju mračnih opera
(Музикологија / Musicology, 2005)
Bartók's well-known opera Duke Bluebeard's Castle has an internationally hardly known parallel in Willem Pijper's opera Halewijn. The Hungarian and the Dutch opera share the same motives; they make use of a historical, a ...
Alphons Diepenbrock and the European world of composers at the fin-de-siècle / Alfons Dipenbrok i svet kompozitora fin-de-siècle-a
(Музикологија / Musicology, 2002)
The article consists of three parts. In the first part the author gives a survey of the large artistic renewal that took place in the Netherlands around 1900. Special attention is given to "de beweging van Tachtig" (the ...
Trideset godina Elektronskog studija Radio Beograda - Elektroakustička muzika, PGP RTS, Beograd, CD I (2002), II (2007)
(Музикологија / Musicology, 2008)
The politics of power, pleasure and prayer in the Eurovision Song Contest / Politika moći, zadovoljstva i molitve u takmičenju za 'Pesmu Evrovizije'
(Музикологија / Musicology, 2007)
Since the first annual Eurovision Song Contest in 1956, politics and popularity have intersected to influence the ways in which Eurovision songs have reflected the complex forms of European nationalism. With the Eurovision ...
Dimitri Mitropoulos: Lonesome passage to modern music / Dimitri Mitropulos - usamljeni prelaz u modernu muziku
(Музикологија / Musicology, 2008)
It is not widely known that Dimitri Mitropoulos first public appearances in Greece were as a composer. His early works (ca. 1912-1924), distinguished by the blend of elements of the late-romantic style with intensely ...
I. I. Zemcovskij: Iz mira ustnyh tradicij (zametki vprok): K 70-letiju I. I. Zemcovskogo, Sankt-Peterburg, 2006
(Музикологија / Musicology, 2008)