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Now showing items 21-30 of 37
Historical Approach to the Opera’s Libretto-Theme in Italy from the End of the 16th Century to the First Italian Reform / Историјски приступ темама оперских либрета у Италији од завршетка XVI века до прве италијанске реформе
(Belgrade : Institute of Musicology, Serbian Academy of Sciences and Arts, 2021)
The creators of opera in Italy at the end of the 16th century gave great importance to the choice of their subject matter in order to reproduce an overall work of art according to the archetype of ancient Greek tragedy. ...
The Three Seasons – Prague Spring, World Youth Summer, and ‘Sofia Autumn,’ or: The Anti-Event, the Avant-Garde, and the Beginning of Bulgaria’s New Folklore Wave / Три годишња доба – „Прашко пролеће“, „Светско омладинско лето“ и „Софијска јесен“ или: антидогађај, авангарда и почетак новог фолклорног таласа у Бугарској
(Belgrade : Institute of Musicology, Serbian Academy of Sciences and Arts, 2021)
This article deals with the events of 1968 in Bulgarian musical culture. Departing from recent Bulgarian discourses that have emerged in the new millennium and often regard Bulgarian responses to the Prague Spring as nearly ...
Politics, Orthodoxy and Arts: Serbian-Russian Cultural Relations in the 18th Century / Политика, православље и уметност: српско-руске културне везе у XVIII веку
(Belgrade : Institute of Musicology, Serbian Academy of Sciences and Arts, 2020)
The complicated political and cultural position of the Serbs who migrated to the
Habsburg Monarchy in the early eighteenth century caused the rise of popularity
of Russian rulers, who were recognized as protectors of the ...
Sakharov, Kireevsky, Afanasyev and Others: Stravinsky in the Context of Russian Folkloristics / Сахаров, Киревски, Афанасјев и други: Стравински у контексту руске фолклористике
(Belgrade : Institute of Musicology, Serbian Academy of Sciences and Arts, 2023)
This article focuses on the studies and collections of folk songs and tales that formed the main source of inspiration for Igor Stravinsky during the Russian period of his work. To do this, I begin with a brief analysis ...
Performative gestures in Beethoven’s piano sonatas / Перформативни гестови у Бетовеновим клавирским сонатама
(Belgrade : Institute of Musicology, Serbian Academy of Sciences and Arts, 2023)
The purpose of this study is to contribute to the discussion of how the character of physical body movements conveys expression and affects the creation of a musical work. The primary focus of this phenomenological study ...
Ideology, Humanness, and Value. On Adorno’s Stravinsky / Идеологија, људскост и вредност. О Адорновом Стравинском
(Belgrade : Institute of Musicology, Serbian Academy of Sciences and Arts, 2023)
Theodor W. Adorno’s critique of Igor Stravinsky has itself been repeatedly criticised. Following the same line, the present article takes as its point of departure the philosophical anthropology of Helmuth Plessner, which ...
Corporeality and Dance in the Music of Igor Stravinsky / Телесност и плес у музици Игора Стравинског
(Belgrade : Institute of Musicology, Serbian Academy of Sciences and Arts, 2023)
The high rank of Igor Stravinsky’s works (especially for ballet) prompts a discussion about the meaning of corporeality and dance in his output, a meaning that goes beyond Stravinsky’s historically-documented interest in ...
Revisiting Stravinsky’s Poetics of Music: The Souvtchinsky Connection / Нова тумачења Поетике музике Стравинског: веза са Сувчинским
(Belgrade : Institute of Musicology, Serbian Academy of Sciences and Arts, 2023)
The complex authorship of Stravinsky’s Poetics of Music, as a result of the collaboration between the Russian composer himself, the composer and critic Alexis Roland-Manuel and the Russian émigré thinker Pierre Souvtchinsky, ...
Stravinsky and Maritain: Philosophies of Work / Стравински и Маритен: филозофије дела
(Belgrade : Institute of Musicology, Serbian Academy of Sciences and Arts, 2023)
Igor Stravinsky’s philosophical and religious trajectory included transformative encounters with Catholic theologians and philosophers in the Paris of the 1920s and 1930s. The most important amongst these was Jacques ...
Stravinsky and the Post-War Generation in France: Aspects of Influence / Стравински и послератна генерација у Француској: аспекти утицаја
(Belgrade : Institute of Musicology, Serbian Academy of Sciences and Arts, 2023)
This article explores aspects of Stravinsky’s influence on some key composers of the Francophone post-war avant-garde, namely Pierre Boulez, Jean Barraqué, Henri Pousseur and Michel Philippot. While Messiaen, Boulez and ...