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Vladimir R. Đorđević’s Contribution to the Transcription of Vocal Practices / Допринос Владимира Р. Ђорђевића транскрипцији вокалне праксе
(Belgrade : Institute of Musicology, Serbian Academy of Sciences and Arts, 2020)
Serbian musicians who were collecting different forms of traditional music at the
end of the 19th and the beginning of the 20th century were unable to make audio
recordings of the collected material. This conditioned the ...
Vladimir R. Đorđević in the National Library of Serbia / Владимир Р. Ђорђевић у Народној библиотеци Србије
(Belgrade : Institute of Musicology, Serbian Academy of Sciences and Arts, 2020)
This article deals with the collection of documents belonging to Vladimir R.
Đorđević, which are kept at the National Library of Serbia. These documents are
divided in two separate personal funds – Vladimir’s letters to ...
Music, Language and Identity in Greece. Defining a National Art Music in the Nineteenth and Twentieth Centuries. Edited by Polina Tambakaki, Panos Vlagopoulos, Katerina Levidou and Roderick Beaton. London and New York: Routledge 2020. ISBN 978-1-138-28002-1 xiv+318pp.
(Belgrade : Institute of Musicology, Serbian Academy of Sciences and Arts, 2020)
This is a ground-breaking publication. Originating in a conference held in Athens
in 2015, it brings together papers by nineteen specialists in various aspects of Greek
culture, and, in the absence of anything resembling ...
Vladimir R. Đorđević’s Contribution to the Development of Ethnoorganology / Допринос Владимира Р. Ђорђевића развоју етноорганологије
(Belgrade : Institute of Musicology, Serbian Academy of Sciences and Arts, 2020)
In the versatile musical activity of Vladimir R. Đorđević at the turn of the 20
century, his research work on collecting primarily traditional Serbian melodies,
the smaller portion of which refers to instrumental music ...
Russian Dresden of the 1920s and 1930s: profiles of musical, church and social life / Русский Дрезден 1920-1930-х годов: контуры музыкальной, церковной и общественной жизни
(Belgrade : Institute of Musicology, Serbian Academy of Sciences and Arts, 2021)
This article addresses the theme of Russian music in the German city of Dresden as it initially related to the virtuosi who had arrived from Russia. After the Revolution of 1917, the roles of Russian émigrés, such as Issay ...
The Russian Paris of Sergei Rachmaninoff / Русский Париж Сергея Рахманинова
(Belgrade : Insititute of Musicology, Serbian Academy of Sciences and Arts, 2021)
This article addresses Rachmaninoff’s activities in Paris, both a musical capital of the world and unrivalled cultural centre of the Russian emigration until 1940. It looks at the small number of concerts performed by the ...
Boris Asafiev and Soviet Musical Thought: Reputation and Influence / Борис Асафјев и совјетска мисао о музици: углед и утицај
(Belgrade : Institute of Musicology, Serbian Academy of Sciences and Arts, 2021)
The theories of Boris Asafiev, including musical process, symphonism, and intonatsiya, proved to be hugely influential in the Soviet Union and beyond. While Asafiev’s ideas were widely adopted by theorists and audiences ...
J. S. Bach’s Keyboard Works: from Performance to Research / Дела Ј. С. Баха за клавијатурне инструменте: од извођења до проучавања
(Belgrade : Institute of Musicology, Serbian Academy of Sciences and Arts, 2021)
Practice-led research in classical music has tended to deal with specific and limited case studies, examining in detail the ways in which one musician’s individual responses to a work or genre can lead to a new understanding ...
‘Crisp as a cream-cracker’: Nikolai Orloff and British Musical Journalism / „Хрскав попут бисквита с кремом“: Николај Орлов и британско музичко новинарство
(Belgrade : Institute of Musicology, Serbian Academy of Sciences and Arts, 2021)
This article considers the reception of pianist Nikolai Orloff (1892–1964) by the British musical press through an analysis of reviews published by The Musical Times, and also by national and local newspapers held in digital ...
Boris Asafiev as a Stravinsky Scholar / Борис Асафјев као проучавалац опуса Игора Стравинског
(Belgrade : Institute of Musicology, Serbian Academy of Sciences and Arts, 2021)
Boris Asafiev, pen name Igor Glebov, was a Russian musicologist, composer, music critic, pedagogue, public figure, publicist; author of works devoted to the music of Igor Stravinsky. The article examines A Book about ...