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Microfilms and photographs of neumatic manuscripts in the SASA Institute of Musicology Archives / Mikrofilmovi i fotografije neumskih rukopisa u Arhivu Muzikološkog instituta SANU
(Музикологија / Musicology, 2010)
Microfilms of neumatic MSS, and photographs of some folia taken from neumed codices kept at the SASA Institute of Musicology Archives, are represented in this paper. In the microfilms, there are mainly heirmologia from ...
'Up there is a foggy mountain': An ethnomusicological-filological contribution on a traditional song from the Kopaonik region / Tamo gore maglita planina - etnomuzikološko-filološki prilog o jednoj pesmi iz kopaoničkog kraja
(Музикологија / Musicology, 2009)
A comparative ethnomusicological and philological analysis was made of the narrative song (ballad) field recording Tamo gore maglita planina, from the village of Mrča, Kopaonik mountain region, South Serbia. The song was ...
The ideology of Yugoslav nationalism and primordial modernism in interwar music / Ideologija jugoslovenskog nacionalizma i primordijalni modernizam u međuratnoj muzici
(Музикологија / Musicology, 2011)
In this paper I strive to illuminate the connections between the ideology of Yugoslav nationalism and the discourse on music and music production in the interwar Kingdom of Yugoslavia. In order to comprehend the traits ...
Miodrag Vasiljević’s margin notes on Béla Bartók’s study Morphology of Serbo-Croatian vocal folk melodies / Marginalije Miodraga Vasiljevića o studiji Bele Bartoka Morfologija srpsko-hrvatskih narodnih vokalnih melodija
(Музикологија / Musicology, 2006)
The founder of modern Serbian ethnomusicology, collector of folk songs ethnomusicologist, and music pedagogue, Miodrag A. Vasiljević (1903-1963) was a younger contemporary of the famous Hungarian composer and ethnomusicologist ...
Contextualization of early modernism in Serbian music: Case studies of two works from 1912 / Kontekstualizacija ranog modernizma u srpskoj muzici na primeru dva ostvarenja iz 1912. godine
(Музикологија / Musicology, 2006)
This study deals with the first Serbian oratorio, Vaskrsenje (Resurrection) by Stevan Hristić, and the first Serbian musical drama, Divina Tragoedia by Milenko Paunović. These works are based on two different interpretations ...
Contemporary musical historiography and the problems of the methodological approach / Savremena muzička istoriografija i problemi metodološkog pristupa
(Музикологија / Musicology, 2005)
The first foreign review of the general history of music translated to Serbian language was Karl Nef's Einführung in die Musikgeschichte. It was published in Belgrade, in 1937. During the '70s and '80s of the 20th century, ...
Serbian Literary Magazine and avant-garde music / Položaj avangarde u srpskoj muzičkoj kritici i esejistici prve polovine XX veka - Srpski književni glasnik
(Музикологија / Musicology, 2005)
One of the most excellent periodicals in the history of Serbian literature Serbian Literary Magazine (1901-1914, 1920-1941), also played an exceptionally important part in the history of Serbian music criticism and essay ...
Studying Serbian music between the two world wars: From theoretical-methodological pluralism to integral music history / Proučavanje srpske muzike između dva svetska rata - od teorijsko-metodološkog pluralizma do integralne muzičke istorije
(Музикологија / Musicology, 2001)
This study deals with problems of an integral perception of Serbian music between the two World Wars across of synchronic and diachronic levels, aiming to begin resolution of the following question: What kind of musical ...