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The Aesthetics of Music Videos in Yugoslav Rock Music: Josipa Lisac, EKV, Rambo Amadeus
(New York : Routledge, 2020)
Music video, although inextricably linked to the rise of television broadcasting and the recording
industry in the 1960s, has received only cursory attention in Yugoslav pop music historiography,
mainly because it lacked ...
Urban folk music and cultural influences: Labels for narodna muzika (folk music) in Serbia in the twentieth century
(Wiesbaden : Springer, 2019)
This paper deals with urban folk music in Serbia (whilst considering its roots in
pre-World War II Yugoslavia). During its history this music was influenced by
cultural practices from the (Ottoman) East and from the West ...
Rock music videos in Serbia since the 1990s: The curious case of Jarboli
(Wiesbaden : Springer, 2019)
In this article I focus on the remarkable music videos of Jarboli – one of the most
influential alternative rock bands from Belgrade, Serbia, who have been active
since the early 1990s. I argue that, in their total oeuvre, ...
Introduction
(Wiesbaden : Springer, 2019)
This chapter provides introductory remarks to the book and overviews all papers
– including their methodologies and examples – with respect to the editors’ division
into particular themes (history and theory of popular ...
Prokofiev and Shostakovich : A Two-Way Influence
(Oxford : Oxford University Press, 2020)
Although much has been written on the professional and personal trajectories of Sergei Prokofiev (1891-1953) and Dmitri Shostakovich (1906-1975)—arguably the greatest Russian/Soviet composers of the twentieth century—when ...
Reflections of All-Slavic Political Ideals in Narratives on Music: The Case of Yugoslav Music Journals in the Interwar Period
(Turnhout : Brepols, 2018)
The first music journals appeared among South Slavs in the Habsburg Monarchy, later Austria-Hungary, in the second half of the 19th century, at the time when the process of institutionalization of art music practices was ...
Conflict and Dialogue between the Old and the New in Serbian Music between the Two World Wars
(Praha : Koniasch Latin Press, 2007)
In this paper, I aim to discuss some general concepts (“Old” and “New”, “Tradition(s)” and “Modernism(s)”) in Serbian music between the two World Wars, not onIy in their national context, but from a broader, European point ...