Conflict and Dialogue between the Old and the New in Serbian Music between the Two World Wars
Само за регистроване кориснике
2007
Поглавље у монографији (Објављена верзија)
Метаподаци
Приказ свих података о документуАпстракт
In this paper, I aim to discuss some general concepts (“Old” and “New”, “Tradition(s)” and “Modernism(s)”) in Serbian music between the two World Wars, not onIy in their national context, but from a broader, European point of view. The complexity of the history of Serbian music in this period requires a certain systematization, a kind of typology, to account for the main streams, and the principal criterion for these may be found in the relationships between novelty and tradition.
Кључне речи:
Old and New / Tradition / Modernism / Serbian music / two World Wars / history of Serbian musicИзвор:
New Music in the “New” Europe 1918–1939: Ideology, Theory, and Practice, 2007, 162-172Издавач:
- Praha : Koniasch Latin Press
Институција/група
Музиколошки институт САНУ / Institute of Musicology SASATY - CHAP AU - Tomašević, Katarina PY - 2007 UR - https://dais.sanu.ac.rs/123456789/15173 AB - In this paper, I aim to discuss some general concepts (“Old” and “New”, “Tradition(s)” and “Modernism(s)”) in Serbian music between the two World Wars, not onIy in their national context, but from a broader, European point of view. The complexity of the history of Serbian music in this period requires a certain systematization, a kind of typology, to account for the main streams, and the principal criterion for these may be found in the relationships between novelty and tradition. PB - Praha : Koniasch Latin Press T2 - New Music in the “New” Europe 1918–1939: Ideology, Theory, and Practice T1 - Conflict and Dialogue between the Old and the New in Serbian Music between the Two World Wars SP - 162 EP - 172 UR - https://hdl.handle.net/21.15107/rcub_dais_15173 ER -
@inbook{ author = "Tomašević, Katarina", year = "2007", abstract = "In this paper, I aim to discuss some general concepts (“Old” and “New”, “Tradition(s)” and “Modernism(s)”) in Serbian music between the two World Wars, not onIy in their national context, but from a broader, European point of view. The complexity of the history of Serbian music in this period requires a certain systematization, a kind of typology, to account for the main streams, and the principal criterion for these may be found in the relationships between novelty and tradition.", publisher = "Praha : Koniasch Latin Press", journal = "New Music in the “New” Europe 1918–1939: Ideology, Theory, and Practice", booktitle = "Conflict and Dialogue between the Old and the New in Serbian Music between the Two World Wars", pages = "162-172", url = "https://hdl.handle.net/21.15107/rcub_dais_15173" }
Tomašević, K.. (2007). Conflict and Dialogue between the Old and the New in Serbian Music between the Two World Wars. in New Music in the “New” Europe 1918–1939: Ideology, Theory, and Practice Praha : Koniasch Latin Press., 162-172. https://hdl.handle.net/21.15107/rcub_dais_15173
Tomašević K. Conflict and Dialogue between the Old and the New in Serbian Music between the Two World Wars. in New Music in the “New” Europe 1918–1939: Ideology, Theory, and Practice. 2007;:162-172. https://hdl.handle.net/21.15107/rcub_dais_15173 .
Tomašević, Katarina, "Conflict and Dialogue between the Old and the New in Serbian Music between the Two World Wars" in New Music in the “New” Europe 1918–1939: Ideology, Theory, and Practice (2007):162-172, https://hdl.handle.net/21.15107/rcub_dais_15173 .