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DAIS
Музиколошки институт САНУ / Institute of Musicology SASA
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DAIS
Музиколошки институт САНУ / Institute of Musicology SASA
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Naslovi
Fono zbirka Muzikološkog instituta SANU
[1]
Fonoarhiv dr Dragoslava Devića - Srpska vokalna tradicija I, Balkansko kulturno nasleđe, 2015
[1]
For the ‘Pure’ National and High-Art Values: Music Production and Performance in the Kingdom of Serbia (1882-1914)
[1]
For the ‛Authentic’ National and Aesthetic Values: The Challenges of Music Production and Performance in the Kingdom of Serbia (1882–1914)
[1]
Foreign Music in Belgrade Between the World Wars: Reception in the Herald of the Stanković Music Society / Music Herald
[1]
Foreword of the editors
[1]
Forming Science of Music in Writings of Aristoxenus of Tarentum
[1]
Francuska muzika u međuratnom periodu
[1]
From communism to capitalism via the wars: The landscape of Serbian music 1985-2005
[1]
From Emulation to a Great Masterpiece. Two Serbian Composers of the 1950s
[1]
From gramophone records to mass audience: Film schlagers and popular songs and dances in Radio Belgrade programming (1929–1941)
[1]
From great expectations to great disappointments: Petar Krstić’s contribution to the process of reforms of music education in interwar Yugoslavia (1918–1921)
[1]
From modernism to socialist realism in four years: Myaskovsky and Asafyev
[1]
From Myth to Reality: Stevan Stojanović Mokranjac and Serbian Church Music
[1]
From Myth to Territory: Vuk Karadžić, Kosovo Epics and the Role of Nineteenth-Century Intellectuals in Establishing National Narratives
[1]
From Pain to Pleasure: The Troping of Elegy in the Renaissance Italian Madrigal
[1]
From Polystylism to Meta-Pluralism: Essays on Late Soviet Symphonic Music
[1]
From the Archives of the SASA Institute of Musicology: Journal Pozorište (1968–2005)
[1]
From the Autonomy of Art to the Emancipation of National Identities: Aesthetic or Political Ideas of Branko Lazarević in the 20th Century Journal
[1]
From the Hilandar’s chanters’ treasury - Vikentije monk from Hilandar monastery, Art print, Novi Sad, 2003
[1]
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