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      Tajnovita Misirlu - varijante jedne internacionalne melodije mediteranskog porekla u popularnoj muzici XX veka [1]
      Taking the Provinces Seriously [1]
      Takmičenja kao oblik javne guslarske prakse [1]
      Tamo gore maglita planina - etnomuzikološko-filološki prilog o jednoj pesmi iz kopaoničkog kraja [1]
      Tanano i precizno - umna zvučanja Vlastimira Peričića [1]
      Tchaikovsky's Estetics of Operatic Genre in Relation to the Estetics of The Five and Vagner [1]
      Tekstura i materijal u savremenoj muzičkoj misli [1]
      Teorija i praksa Gesamtkunstwerka u XX i XXI veku : operski ciklus Svetlost/ Licht Karlhajnca Štokhauzena [1]
      Texture et matériau dans la pensée musicale contemporaine [1]
      The "Serbian" Sung Word. A Contribution to Demystification of the Term Folk in the Phrase Serbian Folk Church Singing [1]
      The 'Guslar': Individual identity and tradition [1]
      The 'Stevan Mokranjac' award for 2005 Dejan Despić: Diptych for English horn and string instruments [1]
      The 'ugliness' of Jewish prayer: Voice quality as the expression of identity [1]
      The 13th KoMA festival - Young Authors' Concerts [1]
      The Affective Turn in Ethnomusicology [1]
      The anthologion Athos Lavra E-108: A Greek-Slavonic liturgical manuscript [1]
      The Appearance of Concept Albums in Yugoslav Popular Music: Kamen na kamen - Long Play Records [1]
      The attitude of the state sphere towards singing associations in Serbia and Kingdom of Yugoslavia [1]
      The Balkans as the Core of European Civilization? Kosta P. Manojlović’s collaboration with the Balkanski institut [Institute for Balkan Studies] in Belgrade (1934–1941) [1]
      The Balkans of the Balkans: The Meaning of Autobalkanism in Regional Popular Music [1]