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Некоторые аспекты фортепианного письма Шарля Валантена Алькана / Some Aspects of Charles-Valentin Alkan's Piano Style
(Петрозаводск : Петрозаводская государственная консерватория имени А. К. Глазунова, 2020)
В работе речь идет о некоторых особенностях фортепианного творчества французского композитора ХIX столетия Шарля Валантена Алькана (1813–1888). Этот мастер пианизма, чья деятельность совпадает с периодом особенно значительным ...
Русский“ напев в сербском и „сербский“ в русском пении. Примеры из практики церковного пения XIX и ХХ веков / "Руски“ напев у српском и „српски“ у русском поjању – примери из црквено-поjачке праксе 19. и 20. века
(Brno : Tribun EU s. r. o., 2020)
У музиколошким студијама деценијама се, понекад и уопштено, говори о руском утицају на српско појање. Резултати конкретних истраживања указали су на корене руско-српских појачких веза у 17. веку. У руским рукописима са ...
Ex-centric Identities in Central Europe: The Curious Case of Snežana Nešić
(Budapest : Hungarian Academy of Arts Research Institute of Art Theory and Methodology, 2020)
This study is part of my ongoing research on the Serbian art music diaspora. After the dissolution of socialist Yugoslavia in the early 1990s and the ensuing wars, hundreds of thousands of people left the region and settled ...
Rhythmanalysis and (Post)Musicology: From horror silentii to Social Distancing
(Zagreb : University of Zagreb, Academy of Music, Department of Musicology, 2020)
In his last book, Elements de rythmanalyse (1992), French Marxists sociologist and philosopher Henri Lefebvre described a figure of “rhythmanalyst” as a researcher who is “always ‘listening out’, but […] does not only hear ...
Voice and Body in Extreme Metal Music
(Graz : Centre for Gender Studies, University of Music and Performing Arts Graz, Austria, 2020)
Metal subgenres such as, for example, death metal, black metal, doom metal, which are considered as constituents of the “meta-genre” of extreme metal, have built up a very specific sound and imagery during the last several ...
Radio Art in Musicology: Challenges and Methodologies
(Belgrade : Institute of Musicology SASA, 2020)
On Developing a Methodology for Research of Musical Borrowing. Case Studies: Serbian Composers of the 1950s
(Belgrade : Institute of Musicology, Serbian Academy of Sciences and Arts, 2020)
Led by common sense, one may assume that musical
borrowing assumes composing by using existing musical material
(namely melodic, or motivic).
Musicology and Metal Music Studies: Thoughts on Themes, Methodologies, and Research Results
(Belgrade : Institute of Musicology SASA, 2020)
It can be said that the academic scrutinization of metal music began with two substantial studies: Heavy Metal. The Music and its Culture (1991) by sociologist Deena Weinstein and
Running with the Devil. Power, Gender, ...
Examining contemporary fieldwork challenges: researching minority music in Serbia
(Institute of Musicology SASA, Beograd, 2020)
Exploring musical culture to which you approach as cultural outsider, brings with it many challenges. This is also the case with Vlach minority living in northeastern Serbia, whose research is further complicated by the ...
Jugoslovenska elektroakustička muzika pre sedamdesetih: produkcija i promocija na muzičkom Biennalu Zagreb i na Jugoslavenskoj muzičkoj tribini / Yugoslav electroacustic music before the 1970s: production and promotion at Music Biennale Zagreb and Yugoslav Music Tribune
(Sarajevo : Muzička akademija UniverzitetaSarajevo : Muzikološko društvo Federacije Bosne i Hercegovine, 2020)
Osnivanjem Elektronskog studija Trećeg programa Radio Beograd (1971), započinje zrela faza jugoslovenske elektroakustičke muzike, čime ona dobija i svojevrsnu institucionalizaciju u zemlji. Skromna elektroakustička produkcija ...