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Gender Perspectives of Instrumental Jazz Performers in Southeastern Europe / Родне перспективе џез инструменталисткиња у југоисточној Европи
(Belgrade : Institute of Musicology, Serbian Academy of Sciences and Arts, 2021)
I investigate constructed social platforms for female jazz instrumentalist, with a particular emphasis on the Balkan cultural space of Southeastern Europe (former Yugoslav countries). In this region, female jazz instrumentalists ...
Ways of Living Abroad: The Foreign Composer in Britain after World War II / Како живети у туђини: инострани композитори у Великој Британији после Другог светског рата
(Belgrade : Institute of Musicology, Serbian Academy of Sciences and Arts, 2021)
The situation for émigré composers in Britain during World War II and afterwards was extremely complicated. British attitudes towards foreigners were highly ambivalent, and this was reflected institutionally, as the policies ...
A Sick Genius? The Critical Reception of Alexei Stanchinsky / Болесни геније? Критичка рецепција Алексеја Станчињског
(Belgrade : Institute of Musicology, Serbian Academy of Sciences and Arts, 2021)
This article examines the critical reception of the Russian composer Alexei Stanchinsky (1888–1914). It focuses on the critical reviews published in Russian newspapers and musical periodicals during Stanchinsky’s lifetime. ...
Russian Dresden of the 1920s and 1930s: profiles of musical, church and social life / Русский Дрезден 1920-1930-х годов: контуры музыкальной, церковной и общественной жизни
(Belgrade : Institute of Musicology, Serbian Academy of Sciences and Arts, 2021)
This article addresses the theme of Russian music in the German city of Dresden as it initially related to the virtuosi who had arrived from Russia. After the Revolution of 1917, the roles of Russian émigrés, such as Issay ...
The Russian Paris of Sergei Rachmaninoff / Русский Париж Сергея Рахманинова
(Belgrade : Insititute of Musicology, Serbian Academy of Sciences and Arts, 2021)
This article addresses Rachmaninoff’s activities in Paris, both a musical capital of the world and unrivalled cultural centre of the Russian emigration until 1940. It looks at the small number of concerts performed by the ...
Boris Asafiev and Soviet Musical Thought: Reputation and Influence / Борис Асафјев и совјетска мисао о музици: углед и утицај
(Belgrade : Institute of Musicology, Serbian Academy of Sciences and Arts, 2021)
The theories of Boris Asafiev, including musical process, symphonism, and intonatsiya, proved to be hugely influential in the Soviet Union and beyond. While Asafiev’s ideas were widely adopted by theorists and audiences ...
J. S. Bach’s Keyboard Works: from Performance to Research / Дела Ј. С. Баха за клавијатурне инструменте: од извођења до проучавања
(Belgrade : Institute of Musicology, Serbian Academy of Sciences and Arts, 2021)
Practice-led research in classical music has tended to deal with specific and limited case studies, examining in detail the ways in which one musician’s individual responses to a work or genre can lead to a new understanding ...
‘Crisp as a cream-cracker’: Nikolai Orloff and British Musical Journalism / „Хрскав попут бисквита с кремом“: Николај Орлов и британско музичко новинарство
(Belgrade : Institute of Musicology, Serbian Academy of Sciences and Arts, 2021)
This article considers the reception of pianist Nikolai Orloff (1892–1964) by the British musical press through an analysis of reviews published by The Musical Times, and also by national and local newspapers held in digital ...
Boris Asafiev as a Stravinsky Scholar / Борис Асафјев као проучавалац опуса Игора Стравинског
(Belgrade : Institute of Musicology, Serbian Academy of Sciences and Arts, 2021)
Boris Asafiev, pen name Igor Glebov, was a Russian musicologist, composer, music critic, pedagogue, public figure, publicist; author of works devoted to the music of Igor Stravinsky. The article examines A Book about ...
Historical Approach to the Opera’s Libretto-Theme in Italy from the End of the 16th Century to the First Italian Reform / Историјски приступ темама оперских либрета у Италији од завршетка XVI века до прве италијанске реформе
(Belgrade : Institute of Musicology, Serbian Academy of Sciences and Arts, 2021)
The creators of opera in Italy at the end of the 16th century gave great importance to the choice of their subject matter in order to reproduce an overall work of art according to the archetype of ancient Greek tragedy. ...