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Different shapes of modernism/neoclassicism: Case study of Dušan Radić’s creative output / Različiti vidovi modernizma/neoklasicizma Dušana Radića
(Музикологија / Musicology, 2006)
This paper deals with musical neoclassicism in the context of modernism, and shows that some neoclassical features, usually considered to be reactionary and retrograde, could and should be understood as modernist. This ...
Voices of earthmen (1995) by Vladan Radovanović: A review / Vladan Radovanović: Glasovi Zemljana (1995) - prikaz
(Музикологија / Musicology, 2007)
This paper discusses the compositional technique and the poetic level of the composition Glasovi Zemljana (Voices of Earthmen) composed by Vladan Radovanović in 1995. The work is based on the composer’s own musical principle, ...
Contextualization of early modernism in Serbian music: Case studies of two works from 1912 / Kontekstualizacija ranog modernizma u srpskoj muzici na primeru dva ostvarenja iz 1912. godine
(Музикологија / Musicology, 2006)
This study deals with the first Serbian oratorio, Vaskrsenje (Resurrection) by Stevan Hristić, and the first Serbian musical drama, Divina Tragoedia by Milenko Paunović. These works are based on two different interpretations ...
Vladan Radovanović's 'syntheѕic art' / Sintezijska umetnost Vladana Radovanovića
(Музикологија / Musicology, 2003)
In the course of his artistic career, which has lasted for more than fifty years now, Vladan Radovanović (b. Belgrade, 1932) has created works in the domains of electroacoustic music, mixed electronics, metamusic, visual ...