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INSAM Journal of Contemporary Music, Art and Technology 4 (I/2020)
dc.contributor | Radovanović, Bojana | |
dc.date.accessioned | 2020-07-21T08:02:05Z | |
dc.date.available | 2020-07-21T08:02:05Z | |
dc.date.issued | 2020 | |
dc.identifier.issn | 2637-1898 (online) | |
dc.identifier.uri | https://dais.sanu.ac.rs/123456789/8958 | |
dc.description.abstract | Human-Machine Collaboration in music, arts, and theory, has come to be a particularly challenging, provocative, and necessary topic. As we underlined in the Call for Papers, the theme of the issue highlighted our intention to give space to overcoming the deep-rooted dichotomy “human vs. machine” in the arts. In finding and understanding the flaws and strengths of both sides through theoretical, inter and trans-disciplinary, and critical thinking, we strive towards creating a platform for open discussions on the subject. In the issue of INSAM Journal in front of us, this conversation is inspired by the propelling artwork of Sougwen Chung. | en |
dc.language.iso | en | sr |
dc.publisher | Sarajevo : INSAM Institute for Contemporary Artistic Music | sr |
dc.rights | openAccess | sr |
dc.rights.uri | https://creativecommons.org/licenses/by-nc-sa/4.0/ | |
dc.subject | Human-Machine Collaboration | sr |
dc.subject | Transdisciplinarity | sr |
dc.subject | Contemporary Music | sr |
dc.subject | Contemporary Art | sr |
dc.subject | Technology | sr |
dc.title | INSAM Journal of Contemporary Music, Art and Technology 4 (I/2020) | en |
dc.type | other | sr |
dc.rights.license | BY-NC-SA | sr |
dc.citation.volume | I | |
dc.citation.issue | 4 | |
dc.type.version | publishedVersion | sr |
dc.identifier.fulltext | https://dais.sanu.ac.rs/bitstream/id/34114/bitstream_34114.pdf | |
dc.identifier.rcub | https://hdl.handle.net/21.15107/rcub_dais_8958 |