Приказ основних података о документу

dc.contributorRadovanović, Bojana
dc.date.accessioned2020-07-21T08:02:05Z
dc.date.available2020-07-21T08:02:05Z
dc.date.issued2020
dc.identifier.issn2637-1898 (online)
dc.identifier.urihttps://dais.sanu.ac.rs/123456789/8958
dc.description.abstractHuman-Machine Collaboration in music, arts, and theory, has come to be a particularly challenging, provocative, and necessary topic. As we underlined in the Call for Papers, the theme of the issue highlighted our intention to give space to overcoming the deep-rooted dichotomy “human vs. machine” in the arts. In finding and understanding the flaws and strengths of both sides through theoretical, inter and trans-disciplinary, and critical thinking, we strive towards creating a platform for open discussions on the subject. In the issue of INSAM Journal in front of us, this conversation is inspired by the propelling artwork of Sougwen Chung.en
dc.language.isoensr
dc.publisherSarajevo : INSAM Institute for Contemporary Artistic Musicsr
dc.rightsopenAccesssr
dc.rights.urihttps://creativecommons.org/licenses/by-nc-sa/4.0/
dc.subjectHuman-Machine Collaborationsr
dc.subjectTransdisciplinaritysr
dc.subjectContemporary Musicsr
dc.subjectContemporary Artsr
dc.subjectTechnologysr
dc.titleINSAM Journal of Contemporary Music, Art and Technology 4 (I/2020)en
dc.typeothersr
dc.rights.licenseBY-NC-SAsr
dc.citation.volumeI
dc.citation.issue4
dc.type.versionpublishedVersionsr
dc.identifier.fulltexthttps://dais.sanu.ac.rs/bitstream/id/34114/bitstream_34114.pdf
dc.identifier.rcubhttps://hdl.handle.net/21.15107/rcub_dais_8958


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Приказ основних података о документу