Human-Machine Collaboration in music, arts, and theory, has come to be a particularly challenging, provocative, and necessary topic. As we underlined in the Call for Papers, the theme of the issue highlighted our intention to give space to overcoming the deep-rooted dichotomy “human vs. machine” in the arts. In finding and understanding the flaws and strengths of both sides through theoretical, inter and trans-disciplinary, and critical thinking, we strive towards creating a platform for open discussions on the subject. In the issue of INSAM Journal in front of us, this conversation is inspired by the propelling artwork of Sougwen Chung.
Keywords:
Human-Machine Collaboration / Transdisciplinarity / Contemporary Music / Contemporary Art / Technology
Source:
2020, I, 4
Publisher:
Sarajevo : INSAM Institute for Contemporary Artistic Music
TY - GEN
PY - 2020
UR - https://dais.sanu.ac.rs/123456789/8958
AB - Human-Machine Collaboration in music, arts, and theory, has come to be a particularly challenging, provocative, and necessary topic. As we underlined in the Call for Papers, the theme of the issue highlighted our intention to give space to overcoming the deep-rooted dichotomy “human vs. machine” in the arts. In finding and understanding the flaws and strengths of both sides through theoretical, inter and trans-disciplinary, and critical thinking, we strive towards creating a platform for open discussions on the subject. In the issue of INSAM Journal in front of us, this conversation is inspired by the propelling artwork of Sougwen Chung.
PB - Sarajevo : INSAM Institute for Contemporary Artistic Music
T1 - INSAM Journal of Contemporary Music, Art and Technology 4 (I/2020)
VL - I
IS - 4
UR - https://hdl.handle.net/21.15107/rcub_dais_8958
ER -
@misc{
year = "2020",
abstract = "Human-Machine Collaboration in music, arts, and theory, has come to be a particularly challenging, provocative, and necessary topic. As we underlined in the Call for Papers, the theme of the issue highlighted our intention to give space to overcoming the deep-rooted dichotomy “human vs. machine” in the arts. In finding and understanding the flaws and strengths of both sides through theoretical, inter and trans-disciplinary, and critical thinking, we strive towards creating a platform for open discussions on the subject. In the issue of INSAM Journal in front of us, this conversation is inspired by the propelling artwork of Sougwen Chung.",
publisher = "Sarajevo : INSAM Institute for Contemporary Artistic Music",
title = "INSAM Journal of Contemporary Music, Art and Technology 4 (I/2020)",
volume = "I",
number = "4",
url = "https://hdl.handle.net/21.15107/rcub_dais_8958"
}
(2020). INSAM Journal of Contemporary Music, Art and Technology 4 (I/2020).
Sarajevo : INSAM Institute for Contemporary Artistic Music., I(4).
https://hdl.handle.net/21.15107/rcub_dais_8958
INSAM Journal of Contemporary Music, Art and Technology 4 (I/2020). 2020;I(4).
https://hdl.handle.net/21.15107/rcub_dais_8958 .
"INSAM Journal of Contemporary Music, Art and Technology 4 (I/2020)", I, no. 4 (2020),
https://hdl.handle.net/21.15107/rcub_dais_8958 .
