INSAM Journal of Contemporary Music, Art and Technology 4 (I/2020)
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Human-Machine Collaboration in music, arts, and theory, has come to be a particularly challenging, provocative, and necessary topic. As we underlined in the Call for Papers, the theme of the issue highlighted our intention to give space to overcoming the deep-rooted dichotomy “human vs. machine” in the arts. In finding and understanding the flaws and strengths of both sides through theoretical, inter and trans-disciplinary, and critical thinking, we strive towards creating a platform for open discussions on the subject. In the issue of INSAM Journal in front of us, this conversation is inspired by the propelling artwork of Sougwen Chung.
Кључне речи:
Human-Machine Collaboration / Transdisciplinarity / Contemporary Music / Contemporary Art / TechnologyИзвор:
2020, I, 4Издавач:
- Sarajevo : INSAM Institute for Contemporary Artistic Music
Институција/група
Музиколошки институт САНУ / Institute of Musicology SASATY - GEN PY - 2020 UR - https://dais.sanu.ac.rs/123456789/8958 AB - Human-Machine Collaboration in music, arts, and theory, has come to be a particularly challenging, provocative, and necessary topic. As we underlined in the Call for Papers, the theme of the issue highlighted our intention to give space to overcoming the deep-rooted dichotomy “human vs. machine” in the arts. In finding and understanding the flaws and strengths of both sides through theoretical, inter and trans-disciplinary, and critical thinking, we strive towards creating a platform for open discussions on the subject. In the issue of INSAM Journal in front of us, this conversation is inspired by the propelling artwork of Sougwen Chung. PB - Sarajevo : INSAM Institute for Contemporary Artistic Music T1 - INSAM Journal of Contemporary Music, Art and Technology 4 (I/2020) VL - I IS - 4 UR - https://hdl.handle.net/21.15107/rcub_dais_8958 ER -
@misc{ year = "2020", abstract = "Human-Machine Collaboration in music, arts, and theory, has come to be a particularly challenging, provocative, and necessary topic. As we underlined in the Call for Papers, the theme of the issue highlighted our intention to give space to overcoming the deep-rooted dichotomy “human vs. machine” in the arts. In finding and understanding the flaws and strengths of both sides through theoretical, inter and trans-disciplinary, and critical thinking, we strive towards creating a platform for open discussions on the subject. In the issue of INSAM Journal in front of us, this conversation is inspired by the propelling artwork of Sougwen Chung.", publisher = "Sarajevo : INSAM Institute for Contemporary Artistic Music", title = "INSAM Journal of Contemporary Music, Art and Technology 4 (I/2020)", volume = "I", number = "4", url = "https://hdl.handle.net/21.15107/rcub_dais_8958" }
(2020). INSAM Journal of Contemporary Music, Art and Technology 4 (I/2020). Sarajevo : INSAM Institute for Contemporary Artistic Music., I(4). https://hdl.handle.net/21.15107/rcub_dais_8958
INSAM Journal of Contemporary Music, Art and Technology 4 (I/2020). 2020;I(4). https://hdl.handle.net/21.15107/rcub_dais_8958 .
"INSAM Journal of Contemporary Music, Art and Technology 4 (I/2020)", I, no. 4 (2020), https://hdl.handle.net/21.15107/rcub_dais_8958 .