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The 'Guslar': Individual identity and tradition / Guslar - individualni identitet i tradicija
(Музикологија / Musicology, 2007)
The subject of this paper is the relation between individual and collective identity within the folk-music tradition, from the perspective of ethnomusicology. Solo folk musicians have more latitude than those who perform ...
Great Chant in Serbian Tradition – On the examples of the melody It is Truly Meet / Велико појање у српској традицији – на примерима химне Достојно је
(Нови Сад : Матица српска, Одељење за сценске уметности и музику, 2009)
The uniqueness of the content of the recorded hymns and the particular uniformity of the melodies themselves, are fully distinguished even after a brief comparative examination of Serbian music collections of the so called ...
Ethnomusicological biography of the traditional folk musician: Biography of the gusle-player / Etnomuzikološki 'portret' narodnog muzičara - guslar
(Музикологија / Musicology, 2008)
With the development of ethnomusicology from a comparative discipline to an anthropologically oriented science there has been an increase in the significance of the biography of folk musicians as scientific sources. The ...
О мелодији божићног кондака трећег гласа Дјева днес / On the Third Part Melody of the Christmas Kontakion (Djeva Dnes)
(Нови Сад : Матица српска, Одељење за сценске уметности и музику, 2005)
Проимион божићног кондака трећег гласа, Дјева днес, који представља модел према коме се певају сви кондаци трећег гласа, послужио је у раду као узорак на основу кога се разматра проблем напева у новијој српској појачкој ...
On the orthodox church melos: A contribution to the typology of church chant / O napevu u pravoslavnom crkvenom pojanju - prilog tipologiji crkvenih napeva
(Музикологија / Musicology, 2003)
Many unresolved questions related to post-Byzantine church chanting present obstacles to understanding some aspects of church music since the 19th century. One of those problems concerns the need for strict definitions of ...
Serbian music criticism in the first half of the twentieth century: Its canon, its method and its educational role / Starija srpska muzička kritika - kanon, postupak, prosvetiteljska tendencija
(Музикологија / Musicology, 2008)
Serbian music criticism became a subject of professional music critics at the beginning of the twentieth century, after being developed by music amateurs throughout the whole previous century. The Serbian Literary Magazine ...
Communion songs not regulated by the typicon in the recent tradition of Serbian church singing / Tipikom nepropisane pričasne pesme u novijoj tradiciji srpskog crkvenog pojanja
(Музикологија / Musicology, 2004)
In notated collections of Serbian church hymns from the 19th and 20th century there are, among others, communion songs with texts that were not regulated by the Typicon. These so-called "arbitrary communion songs" have ...
Von der synoptischen zur analytischen neumatischen Notation Am Beispiel des Sticherons von Germanos Neon Patron / Od stenografske do analitičke neumske notacije na primeru Stihirara Germana, episkopa Nove Patre
(Музикологија / Musicology, 2007)
Die Abwesenheit eines einheitlichen Schlussels in der Dechiffrage der sogenannten 'alten' neumatischen Intonation (vor der letzten Reform anfangs des neunzehnten Jarhunderts) ist in erster Linie durch ihre Natur selbst ...
The 'Stevan Mokranjac' award for 2005 Dejan Despić: Diptych for English horn and string instruments / Nagrada 'Stevan Mokranjac' za 2005. godinu - Dejan Despić - diptih za engleski rog i gudače
(Novi zvuk - internacionalni časopis za muziku, 2007)
In 2005 academician Dejan Despić celebrated the 75th birthday and 50 years of his fruitful work (180 opuses!). Six concerts held in Belgrade, Novi Sad and Kragujevac were the excellent occasion for the remarkable retrospective ...
Летњи курс из композиције и интерпретације Карлхајнца Штокхаузена
(Belgrade : Department of Musicology, Faculty of Music, 2005)