Транскултурални карактер европске музичке авангарде
Тranscultural Character of Eureopan Musical Avant-garde
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Предмет овог рада јесте разматрање феномена музичке авангарде у контексту концепта транскултуралности Волфганга Велша. Специфичности карактера европске музичке авангарде сагледане су на основу теоријских написа Мирјане Веселиновић-Хофман. У раду се заступа теза да је овај карактер у бити транскултуралан. Аргументација за ову тезу спроводи се упоредним сагледавањем Велшовог концепта транскултуралности са једне стране, и музиколошких увида Мирјане Веселиновић-Хофман у проблем авангарде, са посебним акцентом на авангарду локалног типа, са друге стране.
Subject of this paper is consideration of the phenomenon of musical avant-garde in the context of the concept of transculturality by German philosopher, theoretician of culture and aesthetician Wolfgang Welsch. Specifics of the character of European musical avant-garde have been understood on the basis of the theoretical insights by Serbian musicologist Mirjana Veselinović-Hofman. In the paper, statement has been made that this character is transucultural, in the way Welsch defines this problem. Actually, certain commonalities could be seen between discourses of Welsch and Veselinović-Hofman in such way that they are complementary with each other. Argumentation for the transcultural character of musical avant-garde is based precisely on this comparative reading. Thus, general problems of Welsch's theoretical thinking are firstly presented, with remarks on his notion on relations between modernity and postmodern and other problems. Transculturality has been presented as one characterist...ic of postmodern that has been latently present in the modernity. Secondly, Veselinović-Hofman's notion of characteristics of avant-garde in music has been presented, with emphasis on causes and preconditions of avant-garde, which are common for all avant-garde artists, regardless of the country of their origin. Since Welsch also sees commonalities that precede cultural differences, and thus make transculturality possible, this was seen as important argument for the transculturality in music. Finally, consideration of the problem of avant-garde of local type, as an original concept brought by Veselinović-Hofman, serves as most convincing argument for the statement that the character of European musical avant-garde is actually transcultural.
Ključne reči:
музичка авангарда / авангарда локалног типа / транскултуралност / Мирјана Веселиновић-Хофман / Волфганг Велш / musical avant-garde / avant-garde of local type / transculturality / Mirjana Veselinović-Hofman / Wolfgang WelschIzvor:
Музички идентитети и европска перспектива: Интердисциплинарни приступ, 2016, 9-23Izdavač:
- Београд : Катедра за музикологију, Факултет музичке уметности
Napomena:
- Музиколошке студије. Електронска издања. Зборници студентских радова, св. 6/2016 Студија случаја писана у оквиру предмета Музикологија – Музички идентитети и европска перспектива: интердисциплинарни приступ, под менторством ред. проф. др Мирјане Веселиновић-Хофман, академске 2014/15. године.
URI
http://www.fmu.bg.ac.rs/dokumentacija/elektronske_publikacije/01.%20Marija%20Maglov.pdfhttps://dais.sanu.ac.rs/123456789/3401
Institucija/grupa
Музиколошки институт САНУ / Institute of Musicology SASATY - CHAP AU - Маглов, Марија PY - 2016 UR - http://www.fmu.bg.ac.rs/dokumentacija/elektronske_publikacije/01.%20Marija%20Maglov.pdf UR - https://dais.sanu.ac.rs/123456789/3401 AB - Предмет овог рада јесте разматрање феномена музичке авангарде у контексту концепта транскултуралности Волфганга Велша. Специфичности карактера европске музичке авангарде сагледане су на основу теоријских написа Мирјане Веселиновић-Хофман. У раду се заступа теза да је овај карактер у бити транскултуралан. Аргументација за ову тезу спроводи се упоредним сагледавањем Велшовог концепта транскултуралности са једне стране, и музиколошких увида Мирјане Веселиновић-Хофман у проблем авангарде, са посебним акцентом на авангарду локалног типа, са друге стране. AB - Subject of this paper is consideration of the phenomenon of musical avant-garde in the context of the concept of transculturality by German philosopher, theoretician of culture and aesthetician Wolfgang Welsch. Specifics of the character of European musical avant-garde have been understood on the basis of the theoretical insights by Serbian musicologist Mirjana Veselinović-Hofman. In the paper, statement has been made that this character is transucultural, in the way Welsch defines this problem. Actually, certain commonalities could be seen between discourses of Welsch and Veselinović-Hofman in such way that they are complementary with each other. Argumentation for the transcultural character of musical avant-garde is based precisely on this comparative reading. Thus, general problems of Welsch's theoretical thinking are firstly presented, with remarks on his notion on relations between modernity and postmodern and other problems. Transculturality has been presented as one characteristic of postmodern that has been latently present in the modernity. Secondly, Veselinović-Hofman's notion of characteristics of avant-garde in music has been presented, with emphasis on causes and preconditions of avant-garde, which are common for all avant-garde artists, regardless of the country of their origin. Since Welsch also sees commonalities that precede cultural differences, and thus make transculturality possible, this was seen as important argument for the transculturality in music. Finally, consideration of the problem of avant-garde of local type, as an original concept brought by Veselinović-Hofman, serves as most convincing argument for the statement that the character of European musical avant-garde is actually transcultural. PB - Београд : Катедра за музикологију, Факултет музичке уметности T2 - Музички идентитети и европска перспектива: Интердисциплинарни приступ T1 - Транскултурални карактер европске музичке авангарде T1 - Тranscultural Character of Eureopan Musical Avant-garde SP - 9 EP - 23 UR - https://hdl.handle.net/21.15107/rcub_dais_3401 ER -
@inbook{ author = "Маглов, Марија", year = "2016", abstract = "Предмет овог рада јесте разматрање феномена музичке авангарде у контексту концепта транскултуралности Волфганга Велша. Специфичности карактера европске музичке авангарде сагледане су на основу теоријских написа Мирјане Веселиновић-Хофман. У раду се заступа теза да је овај карактер у бити транскултуралан. Аргументација за ову тезу спроводи се упоредним сагледавањем Велшовог концепта транскултуралности са једне стране, и музиколошких увида Мирјане Веселиновић-Хофман у проблем авангарде, са посебним акцентом на авангарду локалног типа, са друге стране., Subject of this paper is consideration of the phenomenon of musical avant-garde in the context of the concept of transculturality by German philosopher, theoretician of culture and aesthetician Wolfgang Welsch. Specifics of the character of European musical avant-garde have been understood on the basis of the theoretical insights by Serbian musicologist Mirjana Veselinović-Hofman. In the paper, statement has been made that this character is transucultural, in the way Welsch defines this problem. Actually, certain commonalities could be seen between discourses of Welsch and Veselinović-Hofman in such way that they are complementary with each other. Argumentation for the transcultural character of musical avant-garde is based precisely on this comparative reading. Thus, general problems of Welsch's theoretical thinking are firstly presented, with remarks on his notion on relations between modernity and postmodern and other problems. Transculturality has been presented as one characteristic of postmodern that has been latently present in the modernity. Secondly, Veselinović-Hofman's notion of characteristics of avant-garde in music has been presented, with emphasis on causes and preconditions of avant-garde, which are common for all avant-garde artists, regardless of the country of their origin. Since Welsch also sees commonalities that precede cultural differences, and thus make transculturality possible, this was seen as important argument for the transculturality in music. Finally, consideration of the problem of avant-garde of local type, as an original concept brought by Veselinović-Hofman, serves as most convincing argument for the statement that the character of European musical avant-garde is actually transcultural.", publisher = "Београд : Катедра за музикологију, Факултет музичке уметности", journal = "Музички идентитети и европска перспектива: Интердисциплинарни приступ", booktitle = "Транскултурални карактер европске музичке авангарде, Тranscultural Character of Eureopan Musical Avant-garde", pages = "9-23", url = "https://hdl.handle.net/21.15107/rcub_dais_3401" }
Маглов, М.. (2016). Транскултурални карактер европске музичке авангарде. in Музички идентитети и европска перспектива: Интердисциплинарни приступ Београд : Катедра за музикологију, Факултет музичке уметности., 9-23. https://hdl.handle.net/21.15107/rcub_dais_3401
Маглов М. Транскултурални карактер европске музичке авангарде. in Музички идентитети и европска перспектива: Интердисциплинарни приступ. 2016;:9-23. https://hdl.handle.net/21.15107/rcub_dais_3401 .
Маглов, Марија, "Транскултурални карактер европске музичке авангарде" in Музички идентитети и европска перспектива: Интердисциплинарни приступ (2016):9-23, https://hdl.handle.net/21.15107/rcub_dais_3401 .