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dc.contributorLajić Mihajlović, Danka
dc.contributorDumnić Vilotijević, Marija
dc.creatorMaglov, Marija
dc.date.accessioned2023-01-14T14:32:24Z
dc.date.available2023-01-14T14:32:24Z
dc.date.issued2022
dc.identifier.issn1450-9814 (print)
dc.identifier.issn2406-0916 (online)
dc.identifier.urihttps://dais.sanu.ac.rs/123456789/13724
dc.description.abstractThe book Phonographic Encounters: Mapping Transnational Cultures of Sound, 1890–1945 contains 12 chapters (framed by an introduction and a conclusion penned by editors Roy and Moreda Rodríguez respectively) dedicated to the exploration of protagonists, spaces and places beyond the main narrative on the major inventors, labels and performers explored in the histories of early recording industry thus far.sr
dc.language.isoensr
dc.publisherBelgrade : Institute of Musicology, Serbian Academy of Sciences and Artssr
dc.relationinfo:eu-repo/grantAgreement/MESTD/inst-2020/200176/RS//sr
dc.relationinfo:eu-repo/grantAgreement/ScienceFundRS/Ideje/7750287/RS//
dc.rightsopenAccesssr
dc.rights.urihttps://creativecommons.org/licenses/by-nc-nd/4.0/
dc.sourceMusicologysr
dc.subjectphonographic encounterssr
dc.subjectElodie A. Roysr
dc.subjectEva Moreda Rodríguezsr
dc.subjectAbingdon and New York: Routledgesr
dc.subject2022sr
dc.titlePhonographic Encounters: Mapping Transnational Cultures of Sound, 1890–1945. Editors: Elodie A. Roy and Eva Moreda Rodríguez. Abingdon and New York: Routledge, 2022. ISBN: 978-0-367-43921-7 (hbk); ISBN: 978-1-032-05711-8 (pbk); ISBN: 978-1-003-00649-7 (ebk); DOI: 10.4324/9781003006497sr
dc.typereviewsr
dc.rights.licenseBY-NC-NDsr
dc.citation.spage261
dc.citation.epage264
dc.citation.issue33
dc.identifier.cobiss173918727
dc.type.versionpublishedVersionsr
dc.identifier.fulltexthttp://dais.sanu.ac.rs/bitstream/id/54768/14.+Musicology+33,+Maglov.pdf
dc.identifier.rcubhttps://hdl.handle.net/21.15107/rcub_dais_13724


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