Приказ основних података о документу

dc.contributorRadovanović, Bojana
dc.creatorNovaković, Monika
dc.date.accessioned2021-01-15T18:15:48Z
dc.date.available2021-01-15T18:15:48Z
dc.date.issued2020
dc.identifier.issn2637-1898
dc.identifier.urihttps://dais.sanu.ac.rs/123456789/10337
dc.language.isoensr
dc.publisherSarajevo : INSAM Institute for Contemporary Artistic Musicsr
dc.relationinfo:eu-repo/grantAgreement/MESTD/inst-2020/200176/RS//sr
dc.rightsopenAccesssr
dc.rights.urihttps://creativecommons.org/licenses/by-nc-nd/4.0/
dc.sourceINSAM Journal of Contemporary Music, Art and Technologysr
dc.subjectIvana Medićsr
dc.subjectKarlheinz Stockhausensr
dc.subjectLichtsr
dc.subjectSvetlostsr
dc.titleIvana Medić, Theory and Practice of Gesamtkunstwerk in the 20th and 21st Centuries – Karlheinz Stockhausen’s Operatic Cycle LIGHT/LICHT; Belgrade: Institute of Musicology SASA, 2019, ISBN 978-86-80639-33-8sr
dc.typereviewsr
dc.rights.licenseBY-NC-NDsr
dcterms.abstractНоваковић, Моника;
dc.citation.spage139
dc.citation.epage142
dc.citation.issue5
dc.identifier.cobiss26698502
dc.type.versionpublishedVersionsr
dc.identifier.fulltexthttps://dais.sanu.ac.rs/bitstream/id/42215/10.-INSAM-Journal-5-Monika-Novakovic.pdf
dc.identifier.rcubhttps://hdl.handle.net/21.15107/rcub_dais_10337


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