TY  - JOUR
AU  - Novaković, Monika
PY  - 2020
UR  - https://dais.sanu.ac.rs/123456789/10337
PB  - Sarajevo : INSAM Institute for Contemporary Artistic Music
T2  - INSAM Journal of Contemporary Music, Art and Technology
T1  - Ivana Medić, Theory and Practice of Gesamtkunstwerk in the 20th and 21st Centuries – Karlheinz Stockhausen’s Operatic Cycle LIGHT/LICHT; Belgrade: Institute of Musicology SASA, 2019, ISBN 978-86-80639-33-8
SP  - 139
EP  - 142
IS  - 5
UR  - https://hdl.handle.net/21.15107/rcub_dais_10337
ER  - 

@article{
author = "Novaković, Monika",
year = "2020",
publisher = "Sarajevo : INSAM Institute for Contemporary Artistic Music",
journal = "INSAM Journal of Contemporary Music, Art and Technology",
title = "Ivana Medić, Theory and Practice of Gesamtkunstwerk in the 20th and 21st Centuries – Karlheinz Stockhausen’s Operatic Cycle LIGHT/LICHT; Belgrade: Institute of Musicology SASA, 2019, ISBN 978-86-80639-33-8",
pages = "139-142",
number = "5",
url = "https://hdl.handle.net/21.15107/rcub_dais_10337"
}

Novaković, M.. (2020). Ivana Medić, Theory and Practice of Gesamtkunstwerk in the 20th and 21st Centuries – Karlheinz Stockhausen’s Operatic Cycle LIGHT/LICHT; Belgrade: Institute of Musicology SASA, 2019, ISBN 978-86-80639-33-8. in INSAM Journal of Contemporary Music, Art and Technology
Sarajevo : INSAM Institute for Contemporary Artistic Music.(5), 139-142.
https://hdl.handle.net/21.15107/rcub_dais_10337

Novaković M. Ivana Medić, Theory and Practice of Gesamtkunstwerk in the 20th and 21st Centuries – Karlheinz Stockhausen’s Operatic Cycle LIGHT/LICHT; Belgrade: Institute of Musicology SASA, 2019, ISBN 978-86-80639-33-8. in INSAM Journal of Contemporary Music, Art and Technology. 2020;(5):139-142.
https://hdl.handle.net/21.15107/rcub_dais_10337 .

Novaković, Monika, "Ivana Medić, Theory and Practice of Gesamtkunstwerk in the 20th and 21st Centuries – Karlheinz Stockhausen’s Operatic Cycle LIGHT/LICHT; Belgrade: Institute of Musicology SASA, 2019, ISBN 978-86-80639-33-8" in INSAM Journal of Contemporary Music, Art and Technology, no. 5 (2020):139-142,
https://hdl.handle.net/21.15107/rcub_dais_10337 .