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William Byrd and the Limits of Formal Music Analysis / Вилијам Берд и ограничења формалне анализе музике
(Belgrade : Institute of Musicology, Serbian Academy of Sciences and Arts, 2020)
Writing in 1962, Joseph Kerman was the first to speculate about potentially
subversive political meanings in the Cantiones sacrae of the English Renaissance
composer William Byrd, his two collections of motets published ...
On the Connection of Musico-rhetorical Strategies and Marian Topic/Topos in Renaissance Motets / О спрези музичко-реторичких стратегија и маријанске топике/топоса у ренесансним мотетима
(Belgrade : Institute of Musicology, Serbian Academy of Sciences and Arts, 2020)
The text summarizes some of the research results from my doctoral dissertation.
In the broadest sense, the following text discusses the influence of rhetorical
concepts and practices on the composition practice of the ...