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On Missed Opportunities: The International Review of Composers in Belgrade and the “Postsocialist Condition”
(Belgrade : Institute of Musicology SASA, 2020)
In this article we observe the history of the International Review of Composers in Belgrade, the most enduring annual festival of contemporary art music in Serbia, founded in 1992. We have borrowed the syntagm ‘postsocialist ...
Reception of Serbian traditional rural singing in ‘the West’, ‘the East’ and beyond: the experiences of neo-traditional ensembles from Belgrade
(Belgrade : Institute of Musicology SASABelgrade : Department of Fine Arts and Music SASA, 2015)
This chapter is an attempt to contribute to the latest research trends in European ethnomusicology by looking into the issue of a relationship between the terms music and familiarity (Stobart 2013). Stobart offers an ...