The Place of Culture and Art in the Narratives of Serbian Conservative and Radical Right Circles (1919–1941)
Само за регистроване кориснике
2023
Поглавље у монографији (Рецензирана верзија)
Метаподаци
Приказ свих података о документуАпстракт
As the Great War entered its last phases and its various implications were taking place in the coming years, the European public sphere was showing a division into two poles – one highly critical of Western European culture, its values and objectives and, at the same time, enchanted by the social and political philosophy of the countries of the East and Far East and one that defended the cultural and sociopolitical heritage and historical path of the European West. These opposing
perspectives, most comprehensively cultivated in the post-war Weimar Republic, reached various countries, including the ones on the periphery, such as the Kingdom of Serbs, Croats and Slovenes/Kingdom of Yugoslavia. Being open to intellectual impulses from German post-war thinkers as well as the large group of pre-war Russian religious philosophers, Yugoslav intellectuals, politicians, artists and journalists created their own versions of pro et contra Western European and East/Far East narratives. Taking a p...osition on this topic was typical for actors in the public, political and cultural spheres, notwithstanding their prevalent ideological inclinations (liberal, conservative, leftist), as they aspired to define the trajectory and objectives of Yugoslav cultural emancipation and development. Generally speaking, the critique of the West intertwined with some variant of the idea of the Slavic mission, and pan-Slavism was dominant in conservative and radical right-wing circles and, to a certain extent, among leftist groups. At the same time, the concept of Slavic integration was popular in the liberal segment of political and cultural spheres.
Кључне речи:
culture and art / 1919-1941 / Kingdom of Serbs, Croats and Slovenes/Kingdom of Yugoslavia / West–East axis / conservative and radical right thoughtИзвор:
Right-Wing Politics in Interwar Southeastern Europe: Between Conservatism and Fascism, 2023, 173-197Издавач:
- Belgrade: Institute for Balkan Studies SASA
Финансирање / пројекти:
- Министарство науке, технолошког развоја и иновација Републике Србије, институционално финансирање - 200176 (Музиколошки институт САНУ, Београд) (RS-MESTD-inst-2020-200176)
Институција/група
Музиколошки институт САНУ / Institute of Musicology SASATY - CHAP AU - Vesić, Ivana PY - 2023 UR - https://dais.sanu.ac.rs/123456789/16290 AB - As the Great War entered its last phases and its various implications were taking place in the coming years, the European public sphere was showing a division into two poles – one highly critical of Western European culture, its values and objectives and, at the same time, enchanted by the social and political philosophy of the countries of the East and Far East and one that defended the cultural and sociopolitical heritage and historical path of the European West. These opposing perspectives, most comprehensively cultivated in the post-war Weimar Republic, reached various countries, including the ones on the periphery, such as the Kingdom of Serbs, Croats and Slovenes/Kingdom of Yugoslavia. Being open to intellectual impulses from German post-war thinkers as well as the large group of pre-war Russian religious philosophers, Yugoslav intellectuals, politicians, artists and journalists created their own versions of pro et contra Western European and East/Far East narratives. Taking a position on this topic was typical for actors in the public, political and cultural spheres, notwithstanding their prevalent ideological inclinations (liberal, conservative, leftist), as they aspired to define the trajectory and objectives of Yugoslav cultural emancipation and development. Generally speaking, the critique of the West intertwined with some variant of the idea of the Slavic mission, and pan-Slavism was dominant in conservative and radical right-wing circles and, to a certain extent, among leftist groups. At the same time, the concept of Slavic integration was popular in the liberal segment of political and cultural spheres. PB - Belgrade: Institute for Balkan Studies SASA T2 - Right-Wing Politics in Interwar Southeastern Europe: Between Conservatism and Fascism T1 - The Place of Culture and Art in the Narratives of Serbian Conservative and Radical Right Circles (1919–1941) SP - 173 EP - 197 UR - https://hdl.handle.net/21.15107/rcub_dais_16290 ER -
@inbook{ author = "Vesić, Ivana", year = "2023", abstract = "As the Great War entered its last phases and its various implications were taking place in the coming years, the European public sphere was showing a division into two poles – one highly critical of Western European culture, its values and objectives and, at the same time, enchanted by the social and political philosophy of the countries of the East and Far East and one that defended the cultural and sociopolitical heritage and historical path of the European West. These opposing perspectives, most comprehensively cultivated in the post-war Weimar Republic, reached various countries, including the ones on the periphery, such as the Kingdom of Serbs, Croats and Slovenes/Kingdom of Yugoslavia. Being open to intellectual impulses from German post-war thinkers as well as the large group of pre-war Russian religious philosophers, Yugoslav intellectuals, politicians, artists and journalists created their own versions of pro et contra Western European and East/Far East narratives. Taking a position on this topic was typical for actors in the public, political and cultural spheres, notwithstanding their prevalent ideological inclinations (liberal, conservative, leftist), as they aspired to define the trajectory and objectives of Yugoslav cultural emancipation and development. Generally speaking, the critique of the West intertwined with some variant of the idea of the Slavic mission, and pan-Slavism was dominant in conservative and radical right-wing circles and, to a certain extent, among leftist groups. At the same time, the concept of Slavic integration was popular in the liberal segment of political and cultural spheres.", publisher = "Belgrade: Institute for Balkan Studies SASA", journal = "Right-Wing Politics in Interwar Southeastern Europe: Between Conservatism and Fascism", booktitle = "The Place of Culture and Art in the Narratives of Serbian Conservative and Radical Right Circles (1919–1941)", pages = "173-197", url = "https://hdl.handle.net/21.15107/rcub_dais_16290" }
Vesić, I.. (2023). The Place of Culture and Art in the Narratives of Serbian Conservative and Radical Right Circles (1919–1941). in Right-Wing Politics in Interwar Southeastern Europe: Between Conservatism and Fascism Belgrade: Institute for Balkan Studies SASA., 173-197. https://hdl.handle.net/21.15107/rcub_dais_16290
Vesić I. The Place of Culture and Art in the Narratives of Serbian Conservative and Radical Right Circles (1919–1941). in Right-Wing Politics in Interwar Southeastern Europe: Between Conservatism and Fascism. 2023;:173-197. https://hdl.handle.net/21.15107/rcub_dais_16290 .
Vesić, Ivana, "The Place of Culture and Art in the Narratives of Serbian Conservative and Radical Right Circles (1919–1941)" in Right-Wing Politics in Interwar Southeastern Europe: Between Conservatism and Fascism (2023):173-197, https://hdl.handle.net/21.15107/rcub_dais_16290 .