‘Thank you for not attending!’: The Relevance of the Issue of Sociocultural Inequalities in the Process of Reforming Cultural Policy in Post-Milošević Serbia
Само за регистроване кориснике
2023
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After the fall of Slobodan Milošević in October 2000, the new political elite sought to bring about profound changes in Serbia’s political, social, economic, and cultural life. With the ambition to dampen or reverse the effects of the controversial legacy of Milošević’s time, the first post-October governments gave priority to the transforming of media, music, and creative industries as well as delegitimization and marginalization of one of the most important symbols of the 1990s – the turbofolk. The necessity to enhance control over the cultural sphere and its different segments was thought to be an adequate “antidote” to the politics of its commercialization and complete deregulation during Milošević’s era. Still, after not more than three years of distancing from the “heritage” of Milošević’s times, there was a gradual return to the populist model of cultural policy which was particularly observable in television production and digital media after 2006. Analyzing different stages of... post-October cultural policy, the focus of this chapter will be oriented on examining the importance of diminishing sociocultural inequalities as its part, especially regarding lower classes. Assuming this issue is a priority in the socialist period, a detailed look at postsocialist and specifically post-October 2000 period will give an answer to whether it had relevance in the past two decades and in which ways the political elite sought to refer to it and embrace it in the public cultural policy.
Извор:
Decolonial Politics in European Peripheries. Redefining Progressiveness, Coloniality and Transition Efforts, 2023, 145-169Издавач:
- New York/London : Routledge
Финансирање / пројекти:
- Министарство науке, технолошког развоја и иновација Републике Србије, институционално финансирање - 200176 (Музиколошки институт САНУ, Београд) (RS-MESTD-inst-2020-200176)
Институција/група
Музиколошки институт САНУ / Institute of Musicology SASATY - CHAP AU - Vesić, Ivana PY - 2023 UR - https://dais.sanu.ac.rs/123456789/16201 AB - After the fall of Slobodan Milošević in October 2000, the new political elite sought to bring about profound changes in Serbia’s political, social, economic, and cultural life. With the ambition to dampen or reverse the effects of the controversial legacy of Milošević’s time, the first post-October governments gave priority to the transforming of media, music, and creative industries as well as delegitimization and marginalization of one of the most important symbols of the 1990s – the turbofolk. The necessity to enhance control over the cultural sphere and its different segments was thought to be an adequate “antidote” to the politics of its commercialization and complete deregulation during Milošević’s era. Still, after not more than three years of distancing from the “heritage” of Milošević’s times, there was a gradual return to the populist model of cultural policy which was particularly observable in television production and digital media after 2006. Analyzing different stages of post-October cultural policy, the focus of this chapter will be oriented on examining the importance of diminishing sociocultural inequalities as its part, especially regarding lower classes. Assuming this issue is a priority in the socialist period, a detailed look at postsocialist and specifically post-October 2000 period will give an answer to whether it had relevance in the past two decades and in which ways the political elite sought to refer to it and embrace it in the public cultural policy. PB - New York/London : Routledge T2 - Decolonial Politics in European Peripheries. Redefining Progressiveness, Coloniality and Transition Efforts T1 - ‘Thank you for not attending!’: The Relevance of the Issue of Sociocultural Inequalities in the Process of Reforming Cultural Policy in Post-Milošević Serbia SP - 145 EP - 169 DO - 10.4324/9781003246848-13 UR - https://hdl.handle.net/21.15107/rcub_dais_16201 ER -
@inbook{ author = "Vesić, Ivana", year = "2023", abstract = "After the fall of Slobodan Milošević in October 2000, the new political elite sought to bring about profound changes in Serbia’s political, social, economic, and cultural life. With the ambition to dampen or reverse the effects of the controversial legacy of Milošević’s time, the first post-October governments gave priority to the transforming of media, music, and creative industries as well as delegitimization and marginalization of one of the most important symbols of the 1990s – the turbofolk. The necessity to enhance control over the cultural sphere and its different segments was thought to be an adequate “antidote” to the politics of its commercialization and complete deregulation during Milošević’s era. Still, after not more than three years of distancing from the “heritage” of Milošević’s times, there was a gradual return to the populist model of cultural policy which was particularly observable in television production and digital media after 2006. Analyzing different stages of post-October cultural policy, the focus of this chapter will be oriented on examining the importance of diminishing sociocultural inequalities as its part, especially regarding lower classes. Assuming this issue is a priority in the socialist period, a detailed look at postsocialist and specifically post-October 2000 period will give an answer to whether it had relevance in the past two decades and in which ways the political elite sought to refer to it and embrace it in the public cultural policy.", publisher = "New York/London : Routledge", journal = "Decolonial Politics in European Peripheries. Redefining Progressiveness, Coloniality and Transition Efforts", booktitle = "‘Thank you for not attending!’: The Relevance of the Issue of Sociocultural Inequalities in the Process of Reforming Cultural Policy in Post-Milošević Serbia", pages = "145-169", doi = "10.4324/9781003246848-13", url = "https://hdl.handle.net/21.15107/rcub_dais_16201" }
Vesić, I.. (2023). ‘Thank you for not attending!’: The Relevance of the Issue of Sociocultural Inequalities in the Process of Reforming Cultural Policy in Post-Milošević Serbia. in Decolonial Politics in European Peripheries. Redefining Progressiveness, Coloniality and Transition Efforts New York/London : Routledge., 145-169. https://doi.org/10.4324/9781003246848-13 https://hdl.handle.net/21.15107/rcub_dais_16201
Vesić I. ‘Thank you for not attending!’: The Relevance of the Issue of Sociocultural Inequalities in the Process of Reforming Cultural Policy in Post-Milošević Serbia. in Decolonial Politics in European Peripheries. Redefining Progressiveness, Coloniality and Transition Efforts. 2023;:145-169. doi:10.4324/9781003246848-13 https://hdl.handle.net/21.15107/rcub_dais_16201 .
Vesić, Ivana, "‘Thank you for not attending!’: The Relevance of the Issue of Sociocultural Inequalities in the Process of Reforming Cultural Policy in Post-Milošević Serbia" in Decolonial Politics in European Peripheries. Redefining Progressiveness, Coloniality and Transition Efforts (2023):145-169, https://doi.org/10.4324/9781003246848-13 ., https://hdl.handle.net/21.15107/rcub_dais_16201 .