dc.contributor | Banciu, Ecaterina | |
dc.contributor | Andreica, Oana | |
dc.contributor | Șuteu, Cristina | |
dc.contributor | Ghircoiaș, Mihai | |
dc.contributor | Ianchiș, Linda | |
dc.creator | Bralović, Miloš | |
dc.date.accessioned | 2022-06-01T19:28:13Z | |
dc.date.available | 2022-06-01T19:28:13Z | |
dc.date.issued | 2022 | |
dc.identifier.uri | https://dais.sanu.ac.rs/123456789/12984 | |
dc.description.abstract | Serbian composer Stanojlo Rajičić (1910–2000) has changed
various compositional styles throughout his life. Starting as an
expressionist composer before the World War II, turning towards
neoclassicism during the occupation of Yugoslavia, socialist-realist
phase in the post-war years, embodied in neo-romantic tendencies, and
finally, with loosening of the socialist realist doctrine throughout the
1950s, re-claiming the expressionist tendencies on a more mature level. | sr |
dc.language.iso | en | sr |
dc.publisher | Cluj-Napoca : The “Gheorghe Dima” National Music Academy | sr |
dc.relation | info:eu-repo/grantAgreement/MESTD/inst-2020/200176/RS// | sr |
dc.rights | openAccess | sr |
dc.rights.uri | https://creativecommons.org/licenses/by-nc-nd/4.0/ | |
dc.source | The "Sigismund Toduță" International Symposium of Musicology, 5th edition. Originality, Paraphrase, Pastiche | sr |
dc.subject | Stanojlo Rajičić | sr |
dc.subject | song cycles | sr |
dc.subject | Lisje žuti | sr |
dc.subject | Na liparu | sr |
dc.title | Contemplating Mahler: Serbian Composer Stanojlo Rajičić and His Cycles for Voice and Orchestra Na liparu (On Lipar, 1950) and Lisje Žuti (The Leaves Are Turning Yellow, 1953) | sr |
dc.type | conferenceObject | sr |
dc.rights.license | BY-NC-ND | sr |
dc.citation.spage | 44 | |
dc.citation.epage | 45 | |
dc.type.version | publishedVersion | sr |
dc.identifier.fulltext | http://dais.sanu.ac.rs/bitstream/id/51802/MB_Abstract_Cluj.pdf | |
dc.identifier.rcub | https://hdl.handle.net/21.15107/rcub_dais_12984 | |