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Diverging from an Established Greek Musical Nationalism: Aspects of Modernism in the Works of Dimitri Mitropoulos, Nikos Skalkottas, Dimitrios Levidis and Harilaos Perpessas, During the 1920s and 30s / Отклон од грчког музичког национализма: аспекти модернизма у делима Димитриса Митропулоса, Никоса Скалкотаса, Димитриоса Левидиса и Харилаоса Перпесаса током 20-их и 30-их година
(Belgrade : Institute of Musicology, Serbian Academy of Sciences and Arts, 2012)
The presence of many young talented composers outside Greece, studying in
prominent European music centres during the 1920s and 30s, set them free from the ideological
compulsions of Greek musical nationalism prevailing ...
America is another world: Conversation with composer Nataša Bogojević / Amerika je drugi svet - razgovor sa kompozitorkom Natašom Bogojević
(Muzički talas, 2015)
In this conversation, in an extensive and interesting manner, Nataša Bogojević describes contemporary music scene in America, especially in Chicago, where she lives and works. In the first part of the conversation the ...
Competitions as a form of public gusle playing performance / Takmičenja kao oblik javne guslarske prakse
(Музикологија / Musicology, 2011)
This paper offers an ethnomusicological perspective on competitions of guslars (players of a single-stringed musical instrument gusle predominantly used to accompany the voice of a singer reciting epic poetry), here ...
Развој свести о култури у средњим музичким школама. Сећање на Стевана Стојанојвића Мокрањца
(Београд : Факултет музичке уметности, 2015)
Communist Ideology and Academic Education. A Case Study: World Music History as a Subject in Romanian Universities, 1948-2014 / Комунистичка идеологија и академско образовање. Студија случаја: Општа историја музике као предмет на румунским универзитетима, 1948-2014
(Belgrade : Institute of Musicology Serbian Academy of Sciences and Arts, 2017)
This paper presents music history as a university discipline during Communism
and after. Shaping the specific historical context, marked by censorship, the study
focuses on the main course books on the subject, from ...
What, How, and Why in Serbian Music after the Second World War, in the Light of Ideological-Political Upheavals / Шта, како и зашто у српској музици после другог светског рата, у светлу идеолошко-политичких превирања
(Belgrade : Institute of Musicology, Serbian Academy of Sciences and Arts, 2017)
The subject of this paper concerns the consideration of the social and artistic
position of Serbian music within the framework of socialist cultural policies and
the post-socialist culture of Serbia in transition. That ...
Music and rhetoric in ekphonesis: The neume synemba / Melodijsko i retoričko značenje neume synemba
(Музикологија / Musicology, 2011)
In the development of ekphonetic notation, three phases are recognized: the pre-classical (9th-10th c.), the classical (11th-12th c.) and the degenerate system. By the end of the 12th century, in some manuscripts the rules ...
Word and melody in the opus of Momčilo and Svetomir Nastasijević / Reč i melodija u stvaralaštvu Momčila i Svetomira Nastasijevića
(Музикологија / Musicology, 2013)
In the house of artistically gifted family Nastasijević where renowned Belgrade artists used to gather together during the twenties and thirties of the previous century, music was nothing but an excuse for regular meetings. ...
On the multicultural and intercultural approach to interpreting singing traditions of orthodox peoples in the Balkans: The case of 'Greek' and 'Western European' school in Byzantine musicology / O multikulturalnom i interkulturalnom pristupu u tumačenju pojačke tradicije pravoslavnih naroda na Balkanu - slučaj 'Grčke' i 'zapadnoevropske' škole u vizantološkoj muzikologiji
(Teme, 2011)
The paper follows the problem of a possible realization of the concept of multiculturalism and interculturalism on the example of two scientific schools in young Byzantine musicology: 'Eastern - Greek' and 'Western' with ...
Допринос Петра Кранчевића раду Српског црквеног певачког друштва Кранчевић / Contribution of Petar Krancevic to the Work of Serbian Church Singing Society in Sremska Mitrovica
(Неготин : Дом Културе, 2016)
У тексту се сагледава уулога композитора и диригента Петра Кранчевића (1869-1919) и делатност важног ансамбла у музичком животу Сремске Митровице XIX века - Српског црквеног певачког друштва Кранчевић. Циљ истраживања је ...