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Parenting the Piano: Miroslav Miša Savić's St. Lazarus Waltz
(Belgrade : Department of Musicology, Faculty of Music, 2017)
This article deals with a work by a contemporary Serbian composer Miroslav
Miša
Savić
(b.
1954):
St. Lazarus Waltz
for one or two grand pianos, with or without
children’s
toy
pianos.
Since
St.
Lazarus
is
...
Организација музичких параметара у Трећем гудачком квартету Јосипа Славенског
(Београд : Факултет музичке уметности, 2016)
Ideology of the Opera Diva in the Case of the Opera of the National Theatre in Belgrade
(Beograd : Univerzitet Singidunum (Fakultet za medije i komunikacije)Belgrade : Faculty of Media and Communications, Singidunum University, 2016)
The theme of this work refers to the study of opera’s diva system or the way in
which an opera diva can affect (or not) the development of repertory theater. The idea is that
through a variety of approaches – musicology, ...
Special melodic formulas in the Psalm cycles of the Vigil in Russian manuscripts of the 16th to 18th centuries / Posebne melodijske formule u psalamskom ciklusu bdenja u ruskim rukopisima od XVI do XVIII veka
(Музикологија / Musicology, 2011)
This paper discusses the melodic formulas of psalmodic cycles of the Vigil in Russian manuscripts of the 16th to 18th centuries. It shows that some special formulas are used in the melos of the psalmody, along with the ...
Project ‘Digitization and Catalogization of Phonoarchive of the Institute of Musicology SASA’: Experiences and Perspectives
(Belgrade : Faculty of Mathematics, 2010)
This paper discusses results of the project “Digitization and Cataloging of Phonoarchive of Institute of Musicology SASA”, and related to that, significance of collection for further ethnomusicological and musicological research.
Performance of Musical Scale in Traditional Vocal Homophony: Lithuanian Examples / Извођење музичке лествице у традиционалној вокалној хомофонији: примери из Литваније
(Belgrade : Institute of Musicology, Serbian Academy of Sciences and Arts, 2014)
Acoustical measurements of pitches in a dozen songs exemplifying the Lithuanian
traditional vocal homophony were carried out. Several phenomena were revealed.
First, the entire scales experience gradual transposition ...
From the ritual of the matins service: The insertion of poetic texts in the chant of the Polyeleos / Iz službe jutrenja - umetanje poetskih tekstova u napev polijeleja
(Музикологија / Musicology, 2011)
In this paper I will examine the practice of inserting non-psalmic poetic texts in the compositions of the Polyeleoi. It is a process of adding or interpolating a poem the content of which is always related to a particular ...
The reception of Soviet music in the West: A history of sympathy and misunderstandings / Recepcija sovjetske muzike na Zapadu - istorija simpatija i nesporazuma
(Музикологија / Musicology, 2012)
In this concise survey, the evolution of Western attitudes to Soviet music is retraced: from a certain interest in the early Soviet avant-garde, through ‘Cold War’ attempts to keep alive the works banned under Stalin, to ...
Даворин Јенко и Стеван Ст. Мокрањац. Биографски фрагменти. Прилог култури сећања / Davorin Jenko and Stevan St. Mokranjac. Biographical Fragments. A Contribution to Cultural Rememberance
(Београд : Музиколошки институт Српске академије наука и уметности, 2014)
Рад је писан као прилог обележавању стогодишњице од смрти двојице значајних
композитора и диригената – Даворина Јенка (1835–1914) и Стевана Ст. Мокрањца (1856–1914). Конципиран у неколико фрагмената, рад преиспитује ...
Institute of Musicology, Serbian Academy of Sciences and Arts (1948-2010) / Muzikološki institut Srpske akademije nauka i umetnosti (1948-2010)
(Музикологија / Musicology, 2010)
The article gives an overview of the early days of the Institute, then proceeds to explain the development of the research projects, the further education of research members of the Institute and finally the results of the ...