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Wedding songs' melodic models of eastern Šumadija and Pomoravlje regions: A contribution to Serbian vocal dialects and identity studies / Melodijski modeli svadbenih pesama istočne Šumadije i Pomoravlja - prilog metodologiji proučavanja vokalnih dijalekata i identiteta u Srbiji
(Музикологија / Musicology, 2013)
Extremely complex picture of Šumadija region musical tradition(s) could be explained not only as the result of long-lasting encounters and overlapping of different inhabitants' groups, but also by the fact that in this ...
The sketches for Alfred Schnittke’s Symphony no. 3, and what they (don’t) tell us? / Скице за Симфонију бр. 3 Алфреда Шниткеа, и шта нам оне (не) откривају
(Belgrade : Institute of Musicology, Serbian Academy of Sciences and Arts, 2013)
The analysis of Alfred Schnittke’s Symphony No. 3 that I present in this paper is
based on my study of Schnittke’s sketches from the Juilliard Manuscripts Collection. The importance of these manuscripts, ...
Radio Belgrade in the process of creating symbolic boundaries: The example of the folk music program between the Two World Wars (1929-1940) / Radio Beograd u procesu kreiranja simboličkih granica - slučaj programa narodne muzike u periodu između dva Svetska rata (1929-1940)
(Музикологија / Musicology, 2013)
This article deals with the process of creation of symbolic boundaries in the context of designing the folk music programs at Radio Belgrade since its foundation until the beginning of World War Two. A detailed insight ...
The sketches for Alfred Schnittke's Symphony no. 3, and what they (don't) tell us? / Skice za Simfoniju br. 3 Alfreda Šnitkea, i šta nam one (ne) otkrivaju?
(Музикологија / Musicology, 2013)
The analysis of Alfred Schnittke's Symphony No. 3 that I present in this paper is based on my study of Schnittke's sketches from the Juilliard Manuscripts Collection. The importance of these manuscripts, which (to my ...
Music and collective identities / Kolektivni identiteti i muzika
(Музикологија / Musicology, 2007)
This paper presents some introductory observations on the ways in which the opposition between the modern and post-modern understanding of social identities can be overcome in the context of musicology. It is based on the ...
Searching for the right form: A self-taught village player recalling performance live / U potrazi za željenim oblikom - živo prisećanje samoukog seoskog svirača
(Музикологија / Musicology, 2008)
Repertoire of the excellent self-taught traditional dvojnice-player, Miladin Arsenijević, from the vicinity of Topola (central Serbia) consists of lyrical songs of a newer rural repertoire. During a 'cognitive interview', ...
The Ideology of Moderated Modernism in Serbian Music and Musicology / Идеологија умереног модернизма у српској музици и музикологији
(Belgrade : Institute of Musicology, Serbian Academy of Sciences and Arts, 2007)
The term ‘moderated modernism’ has been current for quite some
time in Serbian music historiography, but there have been only a few attempts
to define it. I shall try to define the term, introduce some of its key ...
Music critic Gustav Michel / Muzički kritičar Gustav Mihel
(Музикологија / Musicology, 2004)
The writers whose real vocation was not music left significant traces in the history of Serbian music critics and essayism of the late 19th century and the first half of the 20th century. Numerous authors, literary historians ...
Balkans as a cultural symbol in the Serbian music of the first half of the twentieth century / Balkan kao simbol kulture u srpskoj muzici prve polovine XX veka
(Музикологија / Musicology, 2008)
Focus on the internalization of Western images in the Balkans has special significance in researching Serbian art. The functioning of Balkanism as it overlapped and intersected with Orientalism is indicated in the text by ...