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What, How, and Why in Serbian Music after the Second World War, in the Light of Ideological-Political Upheavals / Шта, како и зашто у српској музици после другог светског рата, у светлу идеолошко-политичких превирања
(Belgrade : Institute of Musicology, Serbian Academy of Sciences and Arts, 2017)
The subject of this paper concerns the consideration of the social and artistic
position of Serbian music within the framework of socialist cultural policies and
the post-socialist culture of Serbia in transition. That ...
A Peasant’s Interview with a Foreign Journalist by Predrag Milošević in Relation to the Question of Socialist Realism in Serbian Music History / Разговор сељака са страним новинаром Предрага Милошевића у односу на питање социјалистичког реализма у историји српске музике
(Belgrade : Institute of Musicology, Serbian Academy of Sciences and Arts, 2016)
Bearing in mind the position occupied by Yugoslav postwar music, in this
article I review certain compositional strategies implemented by Predrag
Milošević in his piece A Peasant’s Interview with a Foreign Journalist, ...
Theories on Socialist Realism and Socialist Music Culture in the 1960s in Hungary / Теорије о социјалистичком реализму и социјалистичкој музичкој култури у Мађарској шездесетих година ХХ века
(Београд : Музиколошки институт САНУ, 2019)
In the 1960s, the quantity of publications on aesthetics of music significantly increased in Hungary. The variability of the subjects, the approaches and the opinions are result of an explicit ideological reordering based ...
“Music for Millions”. János Maróthy and Academic Research on Popular Music in Socialist Hungary / „Музика милиона“. Јанош Мароти и академско проучавање популарне музике у Мађарској
(Belgrade : Institute of Musicology, Serbian Academy of Sciences and Arts, 2017)
In this paper I demonstrate the changes in János Maróthy’s aesthetic and political
attitudes towards popular music. Being an internationally acknowledged Marxist
musicologist, Maróthy found employment in many important ...
Aram Khachaturian and Socialist Realism: A Reconsideration / Арам Хачатуријан и социјалистички реализам: ново разматрање
(Belgrade : Institute of Musicology, Serbian Academy of Sciences and Arts, 2016)
Aram Khachaturian remains a neglected figure in scholarship on Soviet music, his work often held as exemplifying Socialist Realism at its most conformist. In this article I suggest that folk music strongly influenced his ...
The Ideology of Moderated Modernism in Serbian Music and Musicology / Идеологија умереног модернизма у српској музици и музикологији
(Belgrade : Institute of Musicology, Serbian Academy of Sciences and Arts, 2007)
The term ‘moderated modernism’ has been current for quite some
time in Serbian music historiography, but there have been only a few attempts
to define it. I shall try to define the term, introduce some of its key ...
The Early Prague Spring: Analysing the Re-Establishment of Modernist Aspects According to the Example of Three Piano Concertos by the “Prague Group” of Composers / Рано прашко пролеће: анализа поновног успостављања модернистичких аспеката на примеру три клавирска концерта композитора „прашке групе“
(Belgrade : Institute of Musicology, Serbian Academy of Sciences and Arts, 2017)
The interwar period brought about a number of modernist tendencies in the
heterogeneous cultural context of the Kingdom of Yugoslavia, which is particularly
salient in the works of the young composers belonging to the ...