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'Exoticism' in the opera Gilgamesh by Rudolf Brucci in Ralph Locke's 'All the music in the full context' paradigm / 'Egzotičnost' opere Gilgameš Rudolfa Bručija u paradigmi 'Muzika u celokupnom kontekstu' Ralfa Loka
(Музикологија / Musicology, 2013)
In this text, Rudolf Brucci's opera Gilgamesh is viewed in the light of Ralph Locke's 'All the Music in the Full Context' Paradigm which promotes the approach that one should search for the exotic elements in musical works ...
Умерени модернизам - између локалних и интернационалних контекста / Moderated Modernism - Between International and Local Contexts
(Крагујевац : Филолошко-уметнички факултет, 2018)
Апстракт: Умерени модернизам је вишеслојан, комплексан, чак и контрадикторан појам. Имајући то у виду, циљ овог рада је покушај да се превазиђу проблеми који се тичу саме употребе појма и да се сагледају могућа уодношавања ...
The reception of west European music in Belgrade between world wars: On the examples of 'Muzički glasnik' and 'Muzika' magazines / Recepcija zapadnoevropske muzike u međuratnom Beogradu - primer časopisa Muzički glasnik i Muzika
(Музикологија / Musicology, 2011)
The very first music magazines started in Belgrade between World Wars were 'Muzički glasnik' (issued monthly from January to December 1922) and 'Muzika' (also issued monthly in the period January 1928 - March 1929). These ...
Parenting the Piano: Miroslav Miša Savić's St. Lazarus Waltz
(Belgrade : Department of Musicology, Faculty of Music, 2017)
This article deals with a work by a contemporary Serbian composer Miroslav
Miša
Savić
(b.
1954):
St. Lazarus Waltz
for one or two grand pianos, with or without
children’s
toy
pianos.
Since
St.
Lazarus
is
...
Организација музичких параметара у Трећем гудачком квартету Јосипа Славенског
(Београд : Факултет музичке уметности, 2016)
Ideology of the Opera Diva in the Case of the Opera of the National Theatre in Belgrade
(Beograd : Univerzitet Singidunum (Fakultet za medije i komunikacije)Belgrade : Faculty of Media and Communications, Singidunum University, 2016)
The theme of this work refers to the study of opera’s diva system or the way in
which an opera diva can affect (or not) the development of repertory theater. The idea is that
through a variety of approaches – musicology, ...
Special melodic formulas in the Psalm cycles of the Vigil in Russian manuscripts of the 16th to 18th centuries / Posebne melodijske formule u psalamskom ciklusu bdenja u ruskim rukopisima od XVI do XVIII veka
(Музикологија / Musicology, 2011)
This paper discusses the melodic formulas of psalmodic cycles of the Vigil in Russian manuscripts of the 16th to 18th centuries. It shows that some special formulas are used in the melos of the psalmody, along with the ...
Project ‘Digitization and Catalogization of Phonoarchive of the Institute of Musicology SASA’: Experiences and Perspectives
(Belgrade : Faculty of Mathematics, 2010)
This paper discusses results of the project “Digitization and Cataloging of Phonoarchive of Institute of Musicology SASA”, and related to that, significance of collection for further ethnomusicological and musicological research.
Performance of Musical Scale in Traditional Vocal Homophony: Lithuanian Examples / Извођење музичке лествице у традиционалној вокалној хомофонији: примери из Литваније
(Belgrade : Institute of Musicology, Serbian Academy of Sciences and Arts, 2014)
Acoustical measurements of pitches in a dozen songs exemplifying the Lithuanian
traditional vocal homophony were carried out. Several phenomena were revealed.
First, the entire scales experience gradual transposition ...
From the ritual of the matins service: The insertion of poetic texts in the chant of the Polyeleos / Iz službe jutrenja - umetanje poetskih tekstova u napev polijeleja
(Музикологија / Musicology, 2011)
In this paper I will examine the practice of inserting non-psalmic poetic texts in the compositions of the Polyeleoi. It is a process of adding or interpolating a poem the content of which is always related to a particular ...