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Droplets оf Dew: The Music оf Vera Stanojević / Капи росе: Музика Вере Станојевић
(Belgrade : Institute of Musicology, Serbian Academy of Sciences and Arts, 2017)
Vera Stanojević’s timbrally-driven compositions, both acoustic and electro-acoustic,
have increasingly garnered international recognition over the past two decades. A
brief biographical overview, supported with commentary ...
Певање уз гусле и нотни записи: историјат и потенцијали
(Београд : Савез гуслара Србије, 2017)
Разлога да овај прилог настане је више, а непосредни повод је текст на који сам недавно наишла на интернету. Између осталог, садржи дезинформацију о записивању певања уз гусле нотним записом...
Dr. Nele Karajlić in the Framework of the “New Primitives” / Др Неле Карајлић у оквиру „новог примитивизма”
(Belgrade : Institute of Musicology, Serbian Academy of Sciences and Arts, 2017)
The “New Primitives” is an alternative, and later, a cultural movement that emerged
in Sarajevo in the late 1970s and early 1980s; the movement officially ceased to
exist in 1987. The most substantial cultural capital ...
Acoustic vessels as an expression of medieval music tradition in Serbian sacred architecture / Акустички судови као израз музичке традиција српске средњовековне архитектуре
(Belgrade : Institute of Musicology, Serbian Academy of Sciences and Arts, 2017)
Archaeoacoustics is a multidisciplinary field of research focused on the history
of the relatedness of the field of sound and architecture. The architectural history
of Europe, from Antiquity to the modern period, is ...
Funding Festivals: Bringing the World to Sarajevo / Финансирање фестивала: довођење света у Сарајево
(Belgrade : Institute of Musicology, Serbian Academy of Sciences and Arts, 2017)
The focus of this article is on the “festivalization” of Sarajevo, the capital city of
Bosnia-Herzegovina, after the signing of the Dayton Agreement (1995), and the
donor environment during that time that largely supported ...
Prokofiev’s Seventh Symphony and its Тwo Еndings: А Study of “Imposed” Revisions / Седма симфонија Прокофјева и њена два завршетка: студија o „наметнутиm” ревизијаma
(Belgrade : Institute of Musicology Serbian Academy of Sciences and Arts, 2017)
Why does a composer resort to changing any one of his compositions? Under
what circumstances does the creative output need to be re-evaluated and
perhaps reconsidered? Prokofiev’s final Seventh Symphony presents two ...
Parenting the Piano: Miroslav Miša Savić's St. Lazarus Waltz
(Belgrade : Department of Musicology, Faculty of Music, 2017)
This article deals with a work by a contemporary Serbian composer Miroslav
Miša
Savić
(b.
1954):
St. Lazarus Waltz
for one or two grand pianos, with or without
children’s
toy
pianos.
Since
St.
Lazarus
is
...
Историјски аспекти и савремене праксе извођења староградске музике у Београду / Historical Aspects and Contemporary Performance Practices of “Old Urban Music” (starogradska muzika) in Belgrade
(Belgrade : Faculty of Music, 2017)
This review was written as part of the project Serbian Musical Identities within Local and Global Frameworks: Traditions, Changes, Challenges (ON 177004), funded by the Ministry of Education, Science, and Technological ...
Communist Ideology and Academic Education. A Case Study: World Music History as a Subject in Romanian Universities, 1948-2014 / Комунистичка идеологија и академско образовање. Студија случаја: Општа историја музике као предмет на румунским универзитетима, 1948-2014
(Belgrade : Institute of Musicology Serbian Academy of Sciences and Arts, 2017)
This paper presents music history as a university discipline during Communism
and after. Shaping the specific historical context, marked by censorship, the study
focuses on the main course books on the subject, from ...
What, How, and Why in Serbian Music after the Second World War, in the Light of Ideological-Political Upheavals / Шта, како и зашто у српској музици после другог светског рата, у светлу идеолошко-политичких превирања
(Belgrade : Institute of Musicology, Serbian Academy of Sciences and Arts, 2017)
The subject of this paper concerns the consideration of the social and artistic
position of Serbian music within the framework of socialist cultural policies and
the post-socialist culture of Serbia in transition. That ...