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The Relation of Music Archiving and Intangible Cultural Heritage in Serbia
(Trabzon: Karadeniz Technical University State Conservatory, 2019)
Speaking from an ethnomusicological standpoint, this paper elaborates on the use of recorded sound and audio-visual material for the purpose of documenting particular musical elements in Serbia, according to the concept ...
The “Serbian Connection” in the Age of the Beat Revolution in Hungary / „Српска веза” у време „бит” револуције у Мађарској
(Belgrade : Institute of Musicology, Serbian Academy of Sciences and Arts, 2019)
The music market of Hungary was manipulated by state authorities and the
communist party from the 1960s until the 1980s. That distorted environment is
the reason why the careers of two of the greatest Hungarian beat stars ...
Le système de l'harmonie de Rameau dans sa correspondance avec d'Alembert et Rousseau / Ramoov sistem harmonije u njegovoj prepisci sa d'Alamberom i Rusoom
(Музикологија / Musicology, 2002)
L'article examine la correspondance polémique de Rameau avec d'Alembert et Rousseau, entretenue dans la sixième décénie du XVIIIe siècle. Le système de l'harmonie de Rameau y est affronté à deux défis contradictoires: d'un ...
The Compass Revisited: Rewriting Histories of Music in the South / Повратак компасу: писање нових историја музике на југу
(Belgrade : Institute of Musicology, Serbian Academy of Sciences and Arts, 2018)
The history of music in the countries of Southern Europe has, in general, been
examined either from the West or from the East.This has had to do with traditional and
univestigated assumptions of divisions on religious ...
New Data, New Methods? Sources on Ladies’ Salon Orchestras in Europe, 1870–1918 / Нови подаци, нове методе? Грађа о европским женским оркестрима, 1870–1918
(Београд : Музиколошки институт САНУ, 2019)
This article addresses the problems that pertain to macro-historical data in music research. By presenting examples from recent research on European ladies’ orchestras of the late nineteenth century, I aim to establish how ...
Удружења гуслара и индивидуални гусларски идентитети: друштво гуслара "Свети Никола" из Новог Сада / Аssociations of Gusle Players and Individual Identities of Gusle Players: The Association of Gusle Players "Sveti Nikola" from Novi Sad
(Нови Сад : Матица српска, 2016)
Певање епских песама уз гусле као традиционална солистичка пракса представља изузетно интересантно поље проучавања идентитета из перспективе односа појединца и различитих традиционалних и савремених, имагинарних и реалних ...
The 'ugliness' of Jewish prayer: Voice quality as the expression of identity / 'Ružnoća' jevrejske molitve - kvalitet glasa kao izraz identiteta
(Музикологија / Musicology, 2007)
This article is based on the musical material and interviews the author collected in Hungary, France, Czechoslovakia, the USA and Israel in the course of thirty years of her fieldwork among the traditional East-Ashkenazi ...
Greek composers of the Ionian islands in Italian musical life during the 19th century / Grčki kompozitori na Jonskim ostrvima u italijanskom muzičkom životu tokom 19. veka
(Музикологија / Musicology, 2003)
During the 19th century most of the Ionian islands played a leading role in the Greek musical life. The vicinity of the islands with Italy combined with the Venetian domination were two facts that helped the creation of ...
Ways of Serbian music 1919-1944 / Putevi srpske muzike od 1919. do 1944. godine
(Музикологија / Musicology, 2001)
After the First World War Serbian music was undertaking a new start Everything was new, nothing was as before, but... in the music some old paths were preserved, although new generation, not very young in the post-war ...
Црквена музика у светлости државног законодавства у Кнежевини и Краљенвини Србији / Church Music in the Light of National Legislation in the Principality of Serbia and the Kingdom of Serbia
(Београд : Музиколошки институт Српске академије наука и уметности, 2012)
Сагледавањем државних одредаба које су се тицале општег и богословског
образовања, а у коме је своје место имала црквена музика, стиче се увид у односе
државне и црквене власти, с једне стране, као и државне и црквене ...