The Relation of Music Archiving and Intangible Cultural Heritage in Serbia
Апстракт
Speaking from an ethnomusicological standpoint, this paper elaborates on the use of recorded sound and audio-visual material for the purpose of documenting particular musical elements in Serbia, according to the concept of UNESCO intangible cultural heritage. There is a difference
between contemporary field recordings for archival purposes, according to the ICH concept, and the employment of already recorded historical legacy. Through the example of music elements from Serbian national register of ICH, this paper will raise the questions of ethnomusicological politics of field recording and digitization of archived historical recordings, as well as analyze the politics of heritage management. Based on ethnomusicological and archival experience, the aim of this paper is to offer a model of application of sound archive for the future, which can effectively contribute to the concept of intangible cultural heritage in Serbia.
Кључне речи:
Ethnomusicology / Sound archive / Intangible cultural heritage / SerbiaИзвор:
Musicologist: An International Journal of Music Studies, 2019, 3, 2, 165-177Издавач:
- Trabzon: Karadeniz Technical University State Conservatory
Финансирање / пројекти:
- Идентитети српске музике од локалних до глобалних оквира: традиције, промене, изазови (RS-MESTD-Basic Research (BR or ON)-177004)
Институција/група
Музиколошки институт САНУ / Institute of Musicology SASATY - JOUR AU - Dumnić Vilotijević, Marija PY - 2019 UR - https://dergipark.org.tr/tr/download/article-file/919884 UR - https://dais.sanu.ac.rs/123456789/6990 AB - Speaking from an ethnomusicological standpoint, this paper elaborates on the use of recorded sound and audio-visual material for the purpose of documenting particular musical elements in Serbia, according to the concept of UNESCO intangible cultural heritage. There is a difference between contemporary field recordings for archival purposes, according to the ICH concept, and the employment of already recorded historical legacy. Through the example of music elements from Serbian national register of ICH, this paper will raise the questions of ethnomusicological politics of field recording and digitization of archived historical recordings, as well as analyze the politics of heritage management. Based on ethnomusicological and archival experience, the aim of this paper is to offer a model of application of sound archive for the future, which can effectively contribute to the concept of intangible cultural heritage in Serbia. PB - Trabzon: Karadeniz Technical University State Conservatory T2 - Musicologist: An International Journal of Music Studies T1 - The Relation of Music Archiving and Intangible Cultural Heritage in Serbia SP - 165 EP - 177 VL - 3 IS - 2 UR - https://hdl.handle.net/21.15107/rcub_dais_6990 ER -
@article{ author = "Dumnić Vilotijević, Marija", year = "2019", abstract = "Speaking from an ethnomusicological standpoint, this paper elaborates on the use of recorded sound and audio-visual material for the purpose of documenting particular musical elements in Serbia, according to the concept of UNESCO intangible cultural heritage. There is a difference between contemporary field recordings for archival purposes, according to the ICH concept, and the employment of already recorded historical legacy. Through the example of music elements from Serbian national register of ICH, this paper will raise the questions of ethnomusicological politics of field recording and digitization of archived historical recordings, as well as analyze the politics of heritage management. Based on ethnomusicological and archival experience, the aim of this paper is to offer a model of application of sound archive for the future, which can effectively contribute to the concept of intangible cultural heritage in Serbia.", publisher = "Trabzon: Karadeniz Technical University State Conservatory", journal = "Musicologist: An International Journal of Music Studies", title = "The Relation of Music Archiving and Intangible Cultural Heritage in Serbia", pages = "165-177", volume = "3", number = "2", url = "https://hdl.handle.net/21.15107/rcub_dais_6990" }
Dumnić Vilotijević, M.. (2019). The Relation of Music Archiving and Intangible Cultural Heritage in Serbia. in Musicologist: An International Journal of Music Studies Trabzon: Karadeniz Technical University State Conservatory., 3(2), 165-177. https://hdl.handle.net/21.15107/rcub_dais_6990
Dumnić Vilotijević M. The Relation of Music Archiving and Intangible Cultural Heritage in Serbia. in Musicologist: An International Journal of Music Studies. 2019;3(2):165-177. https://hdl.handle.net/21.15107/rcub_dais_6990 .
Dumnić Vilotijević, Marija, "The Relation of Music Archiving and Intangible Cultural Heritage in Serbia" in Musicologist: An International Journal of Music Studies, 3, no. 2 (2019):165-177, https://hdl.handle.net/21.15107/rcub_dais_6990 .