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Parenting the Piano: Miroslav Miša Savić's St. Lazarus Waltz
(Belgrade : Department of Musicology, Faculty of Music, 2017)
This article deals with a work by a contemporary Serbian composer Miroslav
Miša
Savić
(b.
1954):
St. Lazarus Waltz
for one or two grand pianos, with or without
children’s
toy
pianos.
Since
St.
Lazarus
is
...
The Collage-Shaped Worlds of Gustav Mahler's Rückert Symphonies
(Belgrade : Department of Musicology, Faculty of Music, 2014)
The main goal of this paper was to reveal the very beginnings of collage technique in Western art. Musical materials taking place in the scherzo movements of Gustav Mahler’s Fifth, Sixth and Seventh Symphony are arranged ...
Летњи курс из композиције и интерпретације Карлхајнца Штокхаузена
(Belgrade : Department of Musicology, Faculty of Music, 2005)
Annulling the Trauma: Neoclassicism as a Modernist (?) Antidote to Society’s Ills
(Belgrade : Faculty of Music, 2019)
In this paper, we shall examine the overall conditions of the emergence of neoclassicism in Paris, shortly after the First World War. Compared to that, the emergence of neoclassicism in Serbian music is also going to be ...
Past Music, Future Music: Technology and Music Institutions in the 20th Century
(Belgrade : Department of Musicology, Faculty of Music, 2016)
In his text "Technology and the Composer" Pierre Boulez writes about new technologies that emerged in the 20th century, primarily created for the purposes of music recording and reproduction, but also established as means ...
The Vienna New Year's Concert as a Media Phenomenon
(Belgrade : Department of Musicology, Faculty of Music, 2013)
This paper is aimed at drawing attention to the problem of the media representation
of artistic music, through the case study of the television broadcast of the New
Year’s Concert in Vienna. The text contains a brief ...
What does the Humming Avatar Remember? Composer's Voice and Memory in Ana Gnjatović's Phonations
(Belgrade : Department of Musicology, Faculty of Music, 2018)
Written as a twofold dissertation on Ph.D. studies of composition at the Faculty of Music in Belgrade, which consists of the piece and the autopoetic text, Ana Gnjatović's Phonations for voice and electronics (2016), raises, ...
Bojana Radovanović, Eksperimentalni glas: Savremena teorija i praksa [Experimental Voice: Contemporary Theory and Practice], Belgrade: Orion Art, 2018, 170 pages, ISBN 978-86- 6389-073-21
(Belgrade : Department of Musicology, Faculty of Music, 2019)
Musicologist and theoretician of art Bojana Radovanović published a monograph dedicated to the problem of experimental voice in contemporary theory and practice, in 2018. Radovanović’s book is based on her Master’s Thesis ...
The Stockhausen Composition and Interpretation Courses
(Belgrade : Department of Musicology, Faculty of Music, 2005)
This article deals with Karlheinz Stockhausen’s Summer Courses, which take place annually in a German
town Kürten, near Cologne. Last year (between July 31 and August 9) the courses in composition and interpretation ...