Past Music, Future Music: Technology and Music Institutions in the 20th Century
Апстракт
In his text "Technology and the Composer" Pierre Boulez writes about new technologies that emerged in the 20th century, primarily created for the purposes of music recording and reproduction, but also established as means of innovation in electronic and electro-acoustic music practice. Boulez points to two directions where technology and music are in question: conservative historicism and progressive technology, enabling the development of new music material and innovation. By using Boulez’s text(s) as a point of departure, the author considers the roles those new technologies had in the development of some musical institutions and questions how institutionalized discourse moulds ideas on the roles of music technology should have. The aim of the paper is to discuss how the music of the past was ’conserved’ and how the music of the future was created in particular types of music institutions thanks to new technological possibilities.
Кључне речи:
Pierre Boulez / technology / institution / museum / innovationИзвор:
New Sound International Journal of Music, 2016, 48, 53-64Издавач:
- Belgrade : Department of Musicology, Faculty of Music
URI
http://www.newsound.org.rs/pdf/en/ns48/06.M_Maglov.53-64.pdfhttps://dais.sanu.ac.rs/123456789/3386
Институција/група
Музиколошки институт САНУ / Institute of Musicology SASATY - JOUR AU - Maglov, Marija PY - 2016 UR - http://www.newsound.org.rs/pdf/en/ns48/06.M_Maglov.53-64.pdf UR - https://dais.sanu.ac.rs/123456789/3386 AB - In his text "Technology and the Composer" Pierre Boulez writes about new technologies that emerged in the 20th century, primarily created for the purposes of music recording and reproduction, but also established as means of innovation in electronic and electro-acoustic music practice. Boulez points to two directions where technology and music are in question: conservative historicism and progressive technology, enabling the development of new music material and innovation. By using Boulez’s text(s) as a point of departure, the author considers the roles those new technologies had in the development of some musical institutions and questions how institutionalized discourse moulds ideas on the roles of music technology should have. The aim of the paper is to discuss how the music of the past was ’conserved’ and how the music of the future was created in particular types of music institutions thanks to new technological possibilities. PB - Belgrade : Department of Musicology, Faculty of Music T2 - New Sound International Journal of Music T1 - Past Music, Future Music: Technology and Music Institutions in the 20th Century SP - 53 EP - 64 IS - 48 UR - https://hdl.handle.net/21.15107/rcub_dais_3386 ER -
@article{ author = "Maglov, Marija", year = "2016", abstract = "In his text "Technology and the Composer" Pierre Boulez writes about new technologies that emerged in the 20th century, primarily created for the purposes of music recording and reproduction, but also established as means of innovation in electronic and electro-acoustic music practice. Boulez points to two directions where technology and music are in question: conservative historicism and progressive technology, enabling the development of new music material and innovation. By using Boulez’s text(s) as a point of departure, the author considers the roles those new technologies had in the development of some musical institutions and questions how institutionalized discourse moulds ideas on the roles of music technology should have. The aim of the paper is to discuss how the music of the past was ’conserved’ and how the music of the future was created in particular types of music institutions thanks to new technological possibilities.", publisher = "Belgrade : Department of Musicology, Faculty of Music", journal = "New Sound International Journal of Music", title = "Past Music, Future Music: Technology and Music Institutions in the 20th Century", pages = "53-64", number = "48", url = "https://hdl.handle.net/21.15107/rcub_dais_3386" }
Maglov, M.. (2016). Past Music, Future Music: Technology and Music Institutions in the 20th Century. in New Sound International Journal of Music Belgrade : Department of Musicology, Faculty of Music.(48), 53-64. https://hdl.handle.net/21.15107/rcub_dais_3386
Maglov M. Past Music, Future Music: Technology and Music Institutions in the 20th Century. in New Sound International Journal of Music. 2016;(48):53-64. https://hdl.handle.net/21.15107/rcub_dais_3386 .
Maglov, Marija, "Past Music, Future Music: Technology and Music Institutions in the 20th Century" in New Sound International Journal of Music, no. 48 (2016):53-64, https://hdl.handle.net/21.15107/rcub_dais_3386 .